Margaret Josette Dupres: Chapter 43

–LINK TO CHAPTER 43: Love In The Half-Moon–

[Adult Content Included]

Love In The Half-Moon Chapter 43

As I work on another May Update podcast and retrospective, in the year 2017, tonight’s offering is for those who await more in the romance of our beloved couple, Barnabas and Maggie (Josette).

This chapter finds a calmer pair as they have learned to live in a world where so many desires are granted, their child continues to grow, and their love blossoms with the same exquisite wonder many readers have journeyed before.

As good book lovers understand, music is a staple in the forming of storytelling and currently my playlist to inspire this novel is approximately 300 selections strong. For this chapter I’ve gravitated in shuffle from Artesia and Narsilion, but mainly I’d like to stress the comfort in a new artist I’ve discovered: Ludovico Einaudi. He composes classical music in our modern times and I listened to a great deal of his soothing structure while this chapter fed out from my skills.


For our couple comes many meditations in present and past experiences, as well as the understanding that their lives have ceased to behold the constant worry they once knew. The desperation is lowered but the adoration for each other is still high. Mainly it is only the two of them, but the end of the chapter includes our beloved butler, Wadsworth, and his old employee, Willie Loomis.

Please hit the link above if you would like to read.


(Post Script: New pen pals might want to dismiss this for now. It’s a long way down the road from the radio drama. Thanks.)

Pit Update January 2017

2017-jan-update

 

Explaining the long wait for Episode 17. In this you can hear my laryngitis.  In between rambles we have various details of events planned for Episode 17 and how channeling Beetlejuice affects me.

Studying with friends; Osheen and Lisa mentioned the most. Personal reflections and sad apologies to “Everyone”: fans, cast members, social network users. Possible reasons why the new technology is driving us all koo-koo. (Also some comparisons to Star Trek.)

Lots of fun insights about various characters and the deeper lesson Barnabas Collins teaches us from his own personal behaviour: Accountability.

Further updates with the marriage novel side-project, as well as the supernatural elements, including reincarnation.

Various interruptions were left in the update to allow a more human feeling.

podomatic link here

podbay link here

archive dot org link here

Also available on iTunes

Margaret Josette Dupres, Chapter 41

 

josettes ghost and barnabas on portico

 

-LINK TO CHAPTER FORTY-ONE-

Some of this has adult content but most of it doesn’t. I didn’t anticipate it to go there but… you know… this couple.  (Very likely that portion will go over most readers heads.) Pardon that it gets wordy. Barnabas and I asked Edgar Allan Poe for a little help. 😉  I listened to a lot of music by Adrian Von Ziegler while writing this. (Also available on bandcamp, like Nave Artificial I mentioned for the previous chapter.)

For this we have the delving into Episode 70 of Dark Shadows written by Art Wallace. As said on this blog, Josette is not an under-developed character, if anything she is over-developed into a plethora of facets. Her ghost is one of these facets and what with Josette’s Ghost manifesting on Dark Shadows during times Maggie Evans has been asleep (or as near to asleep in her activities as makes no difference) we can see how astral projection comes into play. As Episode 70 is Pre-Barnabas Dark Shadows, I hope you delight in the catch-up time our couple shares here. To me their love is a continuous dance, and one I could never invent, only help to heal.

Please hit the link above if you would like to read.

(Same author’s notes are in bold before the chapter begins.)

hug and ghost

chapter 41 MJD

I couldn’t decide which image was appropriate to celebrate this one, so I’m using three that I created for this entry. ❤

Margaret Josette Dupres, Chapter 40

MJD Chapter 40 image

 

-LINK TO CHAPTER FORTY-

Chapter 40 of “Margaret Josette Dupres (A Novel)”. Little Sarah, just over two years old, is growing and her parents do their best to take care of her in all the love they can provide. However, Sarah is about to re-live a time in her previous life (during 1795) that is very emotional, as her acting it out will be for Barnabas & Maggie. Please hit the link above if you would like to read it.

(Author’s notes are in bold before and after.)

Dark Shadows: The Beginning for Daryl Wor

My first introduction to Dark Shadows began in the early 1990’s when my friend’s mother purchased a VHS copy of an anniversary montage. (Anyone remember “The Wherehouse”? It was from there.)  Of course, my friend and I, in our teens, were almost completely confused. There was a very l-e-n-g-t-h-y interval, in which, Barnabas was getting ready to bite someone. And as Jonathan Frid expressed later, “By the time he finally got to a neck the police would have been called and taken this character away.”

No kidding, eh?

663-dark-shadows-barnabas-popular

In all this weirdness I asked, “Who IS this guy?”

And my friend’s mother laughed, “The local WIENER!”

After that I went back to my own bizarre and tragic life that included plenty of laughter but likely, more abuse than is healthy for anyone.

Then I went on to continue trying to write my own 3 volume book of supernatural fiction.

The story entailed a young girl who had a beautiful life with a Canadian (Nova Scotia, blue-nose) lad born in 1877, almost exactly one hundred years before she was. Many delectable characters came along the way, but after all the wonderful times they shared he eventually was taken from her by mysterious means. And yes, he is a vampire. Afterwards she goes crazy wondering what happened to her beloved and not getting any answers from anyone after much social neglect. So, rather than crying and listening to The Smiths, she takes their car and goes on a violent crusade to destroy every jerk and vampire that can’t tell her what the hell happened to this man she loved.

I mention this because, though I had almost no clue what Dark Shadows was about, it later revealed similar aspects to my own story. The lover’s name began with a B, (as does the nickname of my husband), he had a younger sister he loved dearly (though closer in age range than Barnabas and Sarah) and a passionate love was lost after this union had been so wonderfully healing to her abusive life in a foster home.

After some time wreaking her havoc she comes to an old house, vacated in all its neglect and has a battle with an entity that seems to grow with however much she fights it. The more she battles it, the more it grows from her energy and eventually turns out to be The Grim Reaper himself. And not only does he love her and wishes to wed her in all this otherworldly splendour, the reason he loves her is because he was watching her and her paramour through their killings, and he was in love with their marriage as they focused on mercy killings. It made his personal work, along with the other Banshees under his guidance, so much easier.

As time went on and I worked on the book and I adored it. It also started farcically, as like The Pit of Ultimate Dark Shadows. Sadly things happened that made it preventable to continue.

Meanwhile there was an enormous amount of peer pressure to “like” and to read the Harry Potter series. I did my best, even to getting the U.K. versions and struggling to get through the first two. By the time I got to the third? I was hooked. Kept getting the new versions through Amazon.co.uk and enjoying them… FINALLY.

Then I got through the fifth volume and was pretty much disgusted at what I saw. After I finished it, I wanted to throw the book out the window, and I distinctly remember voicing, “Damn it! If I wanted a spooky soap opera, I’d be watching DARK SHADOWS!

A light bulb went on. What with this new Netflix thing? I thought, “Yes! Perhaps I will!” (So? J.K. Rowling has a place to thank in all of this.)

I contacted my boyfriend/fiance, now husband, and asked if we could start watching Dark Shadows. He said, “Yes,” and so this saga begins…

{To be continued in a later blog post…}

Jonathan Frid’s Second Visit to the Dick Cavett Show, August 2, 1968

dick cavett

 

This interview was supplied by Dino DiOssi.

Jonathan Frid’s Second Visit to the Dick Cavett Show

August 2, 1968

Guests included: The Association, Abby Lincoln

Dick Cavett: May we have the house lights dimmed. I should like to introduce my next guest now who is best seen in a dim light. It’s hard to think of him as a creature without sunlight. You all know my dear friend Barnabas, don’t you? We’ll see – go man? (Jonathan Frid comes down the center of the aisle out in the audience towards the stage. He is wearing a little flashlight around his neck.)

Jonathan Frid: How’s this for neckwear?

DC: Lovely.

JF: Thank you. May I make myself at home?

DC: Yes you may. I don’t think we can stop him.

Audience: Bite Dick Cavett!

JF: Outside, later.

DC: Bite my neck! Hi Barney .. eh, Jonathan. I think you’ve created a monster. This is Jonathan Frid. I know you don’t want to believe that because you want to think it’s Barnabas. Jonathan, welcome!

JF: Thank you, Dick and before I go any further, may I take out my teeth? Would you mind? There they are …

DC: Would you mind turning your back?

JF: No, I certainly would not. What’s that denture wash that they advertise on television. I think they need it.

DC: We have a little plastic cup. You can drop them in here.

JF: I’ll put them in my pocket.

DC: Welcome, sir!

JF: Thank you, Dick. It’s nice to be back.

DC: Yes, you were here one other time. Oh, I got a nasty letter about you from . .. here’s what it was. You came on in the first half hour of the show, you know, and there was some lady in a section of the country who sees – does not get the first half hour of the show and she took me up one side and down the other for bringing you on then and said, “I waited for him for weeks!”

JF: Oh, it was a nasty letter to you then.

DC: To me, not about you, yes. She’s absolutely waiting for you outside now.

JF: Hmm.

DC: What’s the latest development now in Barnabas’ life? I know you can speak for him.

JF: Well, I know at this point I’m not a vampire, strangely enough.

DC: Get him out!! (audience laughter)

JF: I have been cured but don’t worry because we’ve got two more vampires coming on the show.

DC: It’s only a temporary thing though isn’t it? I mean, the spell is not necessarily, totally . .

JF: Well, you see it all depends on the monster, Adam. As long as he lives, I will be all right. Somehow or other, don’t ask me why or how it happened, but some of my life force is in him and I think this show has more medical quackery than any other soap opera. So anyway, that’s the state I’m in right now and some people say, oh, why aren’t you back as a vampire biting and so forth and personally I’m sort of enjoying this being the nearest thing in my life to being what my family always wanted me to be and that is the kind of guy next door type of actor and I’ve never been that. So now I’m being, well the guy in the next mansion or something.

DC: Your mother didn’t raise you to bite people’s necks?

JF: No.

DC: What is the reaction of close relatives to your persona?

JF: Well, I think they’re glad I’m working and I am too. I’m very happy about that. I say I think that they would have liked me to play something a little bit more close to everyday life, shall we say, but I think as long as an actor is working I think – I’m glad to play anything, and as a matter of fact, I think I’ve said this before. I’ve enjoyed this role because it has had many manifestations. Actually, I’ve spent about 2 or 3 minutes in the year and a half I’ve been on the show – I’ve spent about 2 or 3 minutes actually “biting”. I mean you can’t – that gets a little tedious after a while.

DC: But 2 or 3 minutes of “biting” is more than normal in most people’s cases. You will admit that.

JF: You caught me there!

DC: We have a message and we’ll be back. Stay with us.

(Commercial break)

DC: Jonathan, someone handed me the Grand Rapids Times just before I came on and I didn’t get time to read this but there is a picture of you atop a black limousine, and there’s a crowd, police and there’s a headline . .TV VAMPIRE CAUSES GRAND RAPIDS AIRPORT RIOT. What . . what were you doing?

JF: Well, in this tour that I took about – this is a little while back – and I took a ten city tour in five days while was kind of rough going and . .but the thing about it was that no one really expected a turnout that we would get in all these airports and shopping centers and things like that – so that there was no kind of organized control of crowds. So we got to, well, we had been in Ft. Wayne that afternoon and there was rather an uncontrolled crowd at the supermarket and the supermarket sent a $2,000 bill for injury to shrubbery and things like that to the local station, and we were held up there so we were late getting into Grand Rapids and I would like to apologize – I hope this show goes to Grand Rapids because I would like to make an apology to the people out there. They had this thing arranged at the airport where I was to judge a contest of ghouls and . ..

DC: Pretty ghouls, huh?

JF: This is what you get into when you . ..

DC: A former Shakespearean actor and they’re playing a pretty ghoul is like a melody. Then what happened?

JF: Well, they had a crowd where our plane landed and the thing got out of hand that we all got kind of nervous, including the officer who ran the airport and more or less ordered us off the place. Well, I don’t blame them because everything . . and there was no one to blame up there, it was just that there was so much uncontrolled chaos and so we got this hearse, and, oh yes, the poor chap who was running the whole show was on top of the hearse as we were leaving and we . ..it was ordered down the road into town and there was the poor guy who was running the whole show was way down the countryside when we finally got the hearse to stop and had to walk or run back or whatever about half a mile back to the airport to try to take over control of the thing. But I remember as it turned out we never got to take control of the thing. But I remember as it turned out we never got to this contest around the front of the airport and I’m only very sorry that I was never able to make that. But while we were, while I was getting on top of this hearse myself – I must say I was rather, if you’ll pardon the expression – mortified, and so anyway we were sort of circling around in front of the thousands of teenagers and so forth and a regular commercial airliner was unloading at that point and I . .suddenly I was trying to think of their point of view – here they were with these thousands of kids andthis idiot on top of this hearse with fangs, and what was going on, you know, what’s happened to America? So I pretended to be waving at the crowd and the only reason I did that was because the tape hid me from the people getting off the plane. I didn’t want them to see who it was, so they couldn’t see. I must say it was rather .. it was a fun thing to do in a way, but it was . . I thought that was kind of stretching a point.

DC: Yes, I think an artist has to be treated with more respect. Do you have any fun on the tours, though? Can you meet people?

JF: Oh, yes. As I say, it was pretty hectic. I never got to see any of these tours. All of my life I have wanted to go to Charleston. Well, I did and all I saw was the airport and a supermarket and the station. And I said where’s this beautiful Charleston that I’ve always heard about – well, look over there about five miles and you’ll see a steeple or something. Well, I never really get to see these towns. You just sort of – you’re on display all the time. But it’s you know, I enjoy it.

DC: I can see that it’s really become a problem for you to anywhere as a regular person.

JF: Well, it’s a – oddly enough, it’s a …once you get away from the crowd you – I disappear in my own neighborhood. If you keep walking fast enough and mind your own business, you’re all right, but you can easily get a crowd, you know, if you’re that kind of a person who wants a spectacular riot going around you all of the time, but if you mind your own business, people will leave you alone if you walk fast enough and I think I’m lucky living in Manhattan because I think 90% of the people in Manhattan are working people during the daytime and I don’t think they get a chance to watch the soap operas as much, somehow or other, as people in the outlying cities.

DC: I read in the “TV Guide” article about you that you’re so busy now that you hardly ever have time to get your laundry taken to the Laundromat.

JF: That’s quite true. As a matter of fact, I just picked up some last night which I was sorely in need of but as a matter of fact I went to this laundromat about a week ago and they were in the state of re-doing the whole place. I went to pick it up and they were fixing some blowers or something and some of the soot from the old blowers had gotten all over my laundry so they had to do it all over again, so I’ve been kind of stuck again this week for laundry.

DC: Send this man some laundry. When we come back maybe the audience would like to ask you some questions . .

(Commercial break)

DC: I’m sitting here with Jonathan Frid and my whole left side just went numb. Try not to ask if he opens tomato juice cans with his teeth and things like that. What would you like to know from Jonathan? Yes, sir, gentleman in the cape.

JF: Hello, brother!

DC: I was wondering if you’ve done any research on the vampire legend and if you believe in any of the material about it yourself?

JF: I began to do a certain amount of research. I did, but then I sort of cooled it because we kind of tend to make up our own rules anyway, you know, a little bit and if . . I’ve found in the past that in doing too much research, if the producers haven’t gone along with it and the writers haven’t gone along with it, you just become frustrated. I’ve done that with – I talked about this on another show recently – I was researching Richard III when I was playing it an if you try to research that play which is a sheer exercise in villainy, you’re in big trouble. I mean, if you actually research the historical documents on Richard, he wasn’t all that bad, so you might as well forget it and just take the play for what it is. I think in this case too, I think . . I don’t really believe too much in all of this if I tell the truth, but you know, I play the moment that is given to me by the writers and so forth and so on, and I let it go pretty much at that. I’ve done some research on it, yes. I know a lot more about vampires than I ever did before. I’ll say that much!

DC: Yes, the lady on the aisle.

Lady: Do you enjoy playing a vampire?

JF: Yes, I enjoy playing the role of Barnabas Collins. The vampire part is fine, you know, but it’s – there’s a lot more to it than just vampire. I mean, it’s not a gimmick role really. It’s has an awful lot to play when you take the whole character over the period of a year. There have been many emotions to play, many situations, many problems that are not just biting people.

DC: It would be hard to think of you as anything else for awhile. I can’t see you as Tom Sawyer for a long time. The gentleman on the isle there.

Man: How do you feel about your fans. Do you read all of your fan mail?

JF: Well, I love the fans. They’ve made me what I am. Indeed they really have as far as the story is concerned because – we watch the mail very carefully. The producers watch the mail for that reason to take ideas. They still think about ideas all the time. Our going into the past was strongly influenced by the fact that people wanted to know where I came from.

DC: So the fan mail could influence the plot?

JF: They can influence the plot. But I enjoy the mail. I must say that, you know, when you get a great quantity of mail it’s pretty hard to keep up with it. So again, I want to publically apologize to people who may not have heard from me. It’s because there is so much.

DC: I feel sorry for this gentleman because we can’t get a mike to him – so yell it out and I’ll repeat it.

Man: Grayson Hall is the woman doctor and that kept you going for awhile. Is it Grayson Hall?

JF: She’s still keeping me going!

Man: There always seems to be a great rapport between the two of you when you are acting, at least I feel this way. Is there such a thing?

JF: Yes, oh yes! I’m very fond of Grayson and we kid a lot. We kid around an awful lot, you know, before we do these scenes endlessly together, and so we have a lot of fun together and she’s a ball. She makes working at that studio a party every day. I get all my entertainment at the studio.

DC: You were asking is there anything going on between them, didn’t you? The young lady on the isle.

JF: Now please! Her husband writes the show. I’d better watch myself.

DC: There’s your answer. Yes, yes ma’am, I mean.

Lady: Would you rather play a romantic scene with a beautiful girl?

JF: Yes, I enjoy them very much. But again, I like the variety in the role. I mean, one of the scenes I often play I have a kinney [kinescope?] film of one of the shows of a love scene I was having with Josette with Angelique that I’m very proud of.

DC: Oh, we’re being swept away. We’ll all have to come back.

-End of Interview-

Episode 15, Editing… One Step At A Time

Might as well make another blog entry about how time consuming this creation is for people who probably listen with total aloofness. (I can only speculate on this since barely anyone will talk to me about it.) Why am I so cranky? Well I tend to only get to talk to people who let me down or say cruel things. When I get the rare feedback I’m often told I’ve been doing “professional” work as far as sound-quality, acting, writing, etc. But I’m not getting paid. So for me to mostly deal with invalidation while doing what is often quoted as professional work? Yep! You’re going to get someone who is major peeved most of the time.

My husband left off at episode 11 part two a number of weeks ago so this last weekend we listened to Episode 12, “Dark Therapy” together. He kept pinching bits and fragments of refuse off of the carpet to put into the garbage with a nit-picky nervousness. I just thought, “Hell… if this is what people do when they listen to the audio? Get out a note book and stare at it while you listen, and then write down some comments to send me. Better than getting all antsy.” I thought of this especially when he got up during the episode to peruse the kitchen and then calling out heckles at Tom Jennings. Dude! Save the heckles for Tom Jennings to put in the comment boxes!

DONNIE

Moving around all of that crap in Caleb’s House? Tom Jennings would enjoy receiving your heckles.

So today and yesterday, between fits of temper, I managed to enjoy the hilarious antics of Nicholas Blair and Vampire Angelique playing gin-rummy. I said we wanted to find a redemption for her we could digest, yes? Well, it’s slow going but right now she’s whipping Blair’s butt at gin-rummy and has just won seven games of it in a row. She’s also trying to remember who the hell was talking to her (,it was the ghost of Jeremiah,) when she was dead and what the point of it was. Good Girl!

If this didn’t bust me up so much it would be much harder to edit and get done. I remember doing a performance of this scene for my husband and we pretty much “wet-’em”. Then I’m splicing in lines for Barnabas which are at a higher pitch in performance to try and get Jonathan Frid’s voice more accurate. I really like this change. The Roger lines I’m cringing to pick. Yes, Louis Edmonds would more likely inflect this word in this manner but it’s sooooo hard to let go of the old demo version!

“Cassandra? Really? Seriously? BLONDE?

It was quite husky in the demo which is funnier but not how Roger would say it, so I had to accept the alteration.

I also re-performed Lily Munster’s lines to make them less high-pitched and more accurate to Yvonne DeCarlo’s performance of her. It seems the most difficult thing to decide on when multiple female characters are in the same scene and making sure they’re different enough. I am a woman. My voice is a variance of androgyny, and it really is the female voices that are harder for me. But I hopefully did well on this scene between Lily Dracula Munster and Vampire Angelique.

clean

Lily thought she sensed a kindred vampire around… nope. Vampire Angelique is a bit different, so she’s having a little “chat” with her. 😉

Thank God! The sound effects for this scene are already placed in there from earlier. Oh goodie! Now time to splice in some Roger lines. I remember asking Osheen if she knew enough about Roger and Elizabeth’s parents to get this scene authentic. Osheen expressed her knowledge of their parents and said this scene would work for authenticity. Yay! So here is what Roger Collins deduces about their cousin Lily…

roger

“Hmmnnn… Mother really should have told us more about her side of the family… but then… she did always say that it was complicated. And if it’s more complicated than our lives have been, I don’t blame her for not trying to explain it.”


Not sure if I’ll keep going today. Wish I had some correspondence to attend to, but that’s the update for Episode 15, “A Blundering Succubus”.

Peace.