Margaret Josette Dupres, Chapters 1 – 5 (Valentine’s Day 2019)

MJD 1-5b

[Adult Content]

 

Listeners expecting to hear me swear will be disappointed. This entry is the long-awaited first podcast about the marriage novel, and exploring the chapters of it; one through five.

This audio session goes through, step-by step, discussing what occurs in each chapter, my personal struggles and triumphs through this journey as well as the wonderful discussion that arrived from wonderful friends and kind strangers who granted me a way to stop panicking from lack of talk and finally allowed me to begin sleeping again which had been a problem at the end of 2013 into the beginning of 2014.

Chapters discussed are as follows:

Chapter One – The Wedding Day

Chapter Two – The Wedding Night

Chapter Three – What We Whispered

Chapter Four – Josette Speaks

Chapter Five – Sharing The Past, The Present, And The Future


Background music (which I would love to know that you purchased) for this podcast is:

Stoa’s “Sakrileg” & “La Lune Blanche” + Aurora Sutra’s “Consecrated Lover”.

Happy Valentine’s Day!


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The Promise of What Praise Can Do “Margaret Josette Dupres (A Novel)” [Note 11]

Yes, again I’d prefer this not say “Praise” anymore but maybe “discussion”, which isn’t as fantastic. I am getting into bad moods when things are much better than they have been in years, with a myriad of accomplishments in work productivity, friendship, helping others, creation and cleaning. But it only takes a few minutes of exposure to something bad to mess things up. So I am back to focusing on this.

 
Mind you, I still get head-scratching hits for the unhappy author’s note which I am waiting to rescind when enough for the later chapters is discussed again. When that happens I can replace the chapter and potentially share more of the darn thing rather than just tell friends over the telephone about what’s being created!

 
I’m starting to realize one reason why I didn’t continue to this chapter years ago for these notes. This chapter really didn’t get a whole lot of discussion. I think it made people feel too weird or something. I mean it’s Sam Evan/Andre duPres in first person which is likely to throw people for a loop who are used to Barnabas or Maggie narrating the chapters, with that one in particular via Wadsworth or the third person omniscient one with Tony and Carolyn.

 
When I realized how badly another return for Sarah would be desired, I started getting strong influences from Sam’s character, things he wanted to say and express. I wasn’t sure I could just be him in first person, but then I picked up an old non-fiction book I favoured and realized it was similar to how Sam tended to sound. Someone also pointed out that it sounded like Andre too, so that was in all of our favours!

 

Chapter 22: A Candle For Sarah

 

413 josettes been sad for such a long time

One of the things that I found very appropriate was taking verbatim lines from Dark Shadows episodes and blending them into the novel. The quotations for this chapter were from Episode 413, written by Gordon Russell, repeating the discussion Sarah and Naomi had about Barnabas supposedly leaving for England and a candle Sarah had made, with the help of Riggs, for Josette. The idea Riggs relayed to Sarah entailed a candle at a window bringing someone home. I asked for help to find the episode (thank you!) and then watched and wrote down the dialogue as precise as I could. (It took a bit of rewinding and listening repeatedly to get it correct, as it always does.)

 
After the quotations Sam begins his narrative. (Slight additives on “The Ghost and Mrs. Muir” style of things are appropriate because in my work Sam is friends with Captain Gregg.) The long chapter begins with detailing Sam doing some artwork with the ghost of Sarah as well as spending time with her, helping her to create a new candle from wax, old crayons and a beer can. I, myself, have mainly done the same with soda cans, but I would envision Pop being the kind with more taste for beer than soda anyway, so a can as such might have been more readily available. It’s not the safest way to make a candle, but it was handy to my own experience.

 
For the sake of things not going on for as long as it takes wax to harden, the chapter proceeds with Sarah sitting outside with Sam who is putting a bit whiskey in his evening coffee. Sarah previously expressed she wanted a candle for herself to give Josette a second time, a token for Sarah, herself, to return one day. As they sit outside Sarah asks Mr. Evans what it is to be reincarnated, just to make sure she has the idea well enough in her mind. Sam gives her a fair idea then waxes poetic about the stars being our guides which Sarah doesn’t specifically understand, but feels she knows enough.

 
Later they take the candle and drive to The Old House. Sam explains it as, “…driving through the town of Collinsport to get to The Old House, where my daughter now lived with her excessively romantic husband…” This has got to be one my favourite lines. Pop just says it like it is, and to me it’s almost poking a little fun at Barnabas. It’s not a stand-alone segment since the rest of the sentence goes into why the drive itself wasn’t exactly a wise choice, but I still highlight that sentence fragment as being a hilariously fun one. (Thanks, Pop.)

 
What comes later… gosh, this is a complicated chapter… is their arrival and Sarah explaining why she’s offering a candle to Maggie (Josette) due to having given her one previously for the sake Barnabas might come home. In a moment alone with Maggie, Sam explains that this was only the final time they were seeing Sarah as a ghost. Maggie picks up on the understanding Sarah Collins will come back in the flesh, but completely uncertain who the lucky mother will be. Oops…

 
“Margaret Josette Dupres,” Sam gives her a grin, “why does it have to be somebody else?”

 
Of course, Maggie is flabbergasted, anticipating something sudden and also wondering if her and Barnabas are even capable of having children in their less-earthly state of being. She has every right to wonder, but Sam laughs at her concern that she might suddenly give birth the next day or some such silly idea. She and Barnabas would know and be ready when the time was right.

 
The farewell takes place in Josette’s bedroom, with the obviously sad Barnabas rather unsure of why these events are happening, and what Sarah even means by returning a different way. Admittedly the farewell is a tearful one, even beautiful in its ghostly allure.
However, Barnabas’ lack of understanding got on Sam’s nerves, and a little bit on mine, truth be told!

 

It wraps up splendidly with Sam thinking aloud things to Barnabas on the other side of the door as he leaves. Then Wadsworth steps from the shadows to assure Sam that he is very correct indeed. I love this just because from Episode One in The Pit, Wadsworth pretty much knows what requires attention for Barnabas Collins’ love life, so at this juncture of a possible child. Wadsworth is also just as aware as Sam is where Barnabas is not.

 
Helena came through first, as she often does:

 
Helena Clara Bouchet chapter 22 . May 22, 2014

This chapter was so touching, Daryl 🙂 And I love arts and crafts, too! Maybe one day, I’ll make a candle like that (only mine will be yellow or pink). Looking forward to Sarah’s big return!

Oh good! Even some love for the candle. I can’t remember if I explained to her the technique I once used. I’m sure there are much better ones.

katieyoung1960 chapter 22 . May 25, 2014

I love this chapter. A voice for little Sarah, and a hope for her return. That would be a very happy occasion!

Nice and simple. I think back then folks were far more aware of the leaps that were being taken so that almost everyone of a good nature could heal together, including a lost loved one.

Cynthia Curran chapter 22 . Jun 3, 2014

That’s cool, Barnabas always seem more like her father anyways and maybe she being conceived an interesting way will make the story interesting.

Aye! It was interesting to say the least! But that’s another chapter. I love the pointer of Barnabas seemingly more like a father than brother to her anyway. (She’d need an alternate father when we think over Joshua in his earlier days.)

Of course these wonderful comments still left me in want for the details that might have been noticed otherwise. Osheen picked up the chapter upon my request:

Osheen Nevoy chapter 22 . Dec 16, 2014
So here I am consulting my notes from last night. I really like Sam/Andre’s comment about there being “no shame in the common.” That worked and totally made sense. It does a perfect job of linking plain, common-and-garden Sam Evans with the reality that Andre lived – the brother of a countess, very wealthy, seemingly of the aristocratic stratum of society, but still a very blunt, to-the-point, down-to-earth sort of man. (As we see from his awesomely blunt snide comments to Joshua and Rev. Trask in the show!)

Throughout the chapter I could completely hear the voices of the actors saying the lines that the characters are speaking here. From that I know that the depiction of their “voices” in the word choices and speech-patterns is precisely spot-on

The candle-making from melted crayons brought back a lot of happy childhood memories for me. Did you make candles from crayons in your childhood as well? I remember that very vividly, and reading about it summoned up a lot of those feelings of warmth and contentment that good childhood memories bring. The kind of warmth and contentment that you also conjure up in the scene of Sam and Sarah outside experiencing the night while waiting for the candle to cool. My childhood candles, of course, were made in frozen orange juice containers or that sort of thing, not in beer cans! But naturally, the beer can version is fitting for Sam! And of course Sarah picking purple – is that for some other, additional meaning, or is it a nod to the well-known affinity of little girls for purple?

Great little down-to-earth, matter-of-fact Sam details that appear throughout, like him managing not to slice himself on the beer can. I very much like the description of the sort of dream state that ghosts tend to think in and relate to reality through. Other great details throughout – the old cloths that Sam should have thrown away long ago.

I adore the description of the “golden, silvery silences.” Seems to be an oxymoron, since how can a silence have colors, and yet it’s right, totally right. I guess silences do have colors, and so does sound. The “vast stretch of the universe” portion of the conversation with Sam and Sarah fit perfectly with those high-flown turns of phrase and imagination that Sam reveals in the show – of course in the show, usually those are on darker topics, such as his repeated freakings-out about the Collinses and their haunted house on the hill during the first 200 or so episodes of the show.

I wasn’t particularly happy with Sam for drunk-driving – I would have hoped he would avoid that, given the experience witnessing the result of Roger, Burke & Laura’s drunk-driving accident! I guess he had Sarah along to help make sure he didn’t kill anybody, and he DID admit that it wasn’t a great idea, but still, I wish he hadn’t done it and had walked up to the Old House with Sarah, instead. Though Sam is not a character who is consistently known for making good choices, so I guess him choosing to drive at this point is consistent with his character. I just wish he hadn’t chosen that!

I love Maggie’s humor that you portray here – again, it is just exactly right for Maggie was we know her on the show, particularly in the early days, before things get so f-ed up for her. And I guess that’s why it fits so perfectly here, since in this reality, things are not f-ed up for her anymore. The description of her “chortling” is the example that I have written down for this – just great, and again, absolutely right.

Another fabulous, funny down-to-earth Sam detail – the brush filaments in the scenery. Loved it! Also loved Sarah’s “I thought so, but it’s impolite to boast, you know” – and loved Sam’s reply to that.

Now, the bit about the broo-ha with the unfortunate Jeremiah Collins – that led me to wonder. Have you, or do you plan to if you haven’t yet, had a sequence which includes healing for Jeremiah and reconciliation between him and Barnabas? If you have, and I haven’t found it, I’m sorry I haven’t, and please tell me where it is! If you haven’t, maybe that would be something that would work for you to explore at some point. He definitely is someone who needs healing and reconciliation, considering all the crap he was put through (and the rather messed up Ghost of Jeremiah stuff in the show), and presumably Barnabas also needs the reconciliation with him, since having a dear friend who then becomes, at least seemingly, your enemy, and then killing said friend/enemy, has got to put some pretty deep wounds in a person’s psyche. I guess maybe I’m rather protective of Jeremiah, since he’s become such a major character in my DS tale. Anyway – if that kind of sequence does exist in your work, I want to know where it is so I can listen to or read it. If it doesn’t, maybe it’s something for you to contemplate for the future.

And my final note is about Barnabas kissing Sarah’s hand, and telling her that teaching them to grow has made her the finest of ladies in the world. Loved it. Perfect.

It completely works. It IS these characters, it is what they would say, and it is a beautiful depiction of love and hope and the little fragments of reality that weave together to create human happiness.

 


I do believe I remember a possible use of orange juice cans instead of soda cans and I’m glad she mentioned that one. I’m honoured that I was able to get the voices down so well. But it is the exposure of the right materials, the original show being the big one. I believe Sarah’s pick of purple was a combination of liking purple but also to give it a regal touch, as one might recall purple was used for royalty because it was such a pain to create that colour of dye. (I even remember a tale of snails being used to make the dye. Not sure if that’s true!) Even the details in the night sky and colours of sound.

 

Now let me relieve the idea Sam was actually drunk-driving. Definitely tipsy. I guess he could have been more intoxicated if I didn’t care, but I tried to word it where he said, “I wasn’t very sober when we left.” So there was enough sobriety, and he points out being aware of it. So it’s surely not really a case of, “As I stumbled my drunken ass into the truck.” But I can see where a quicker read might give that impression. Another reason to make a third-draft of this novel: I can meander a bit more instead trying to gesticulate a zillion descriptions into one sentence as Vladimir Nabokov tends to do. (Yes, he is an influence: All of his books, not just that one!)

 

For all the wondering over Jeremiah? I have apprised Osheen of the plans, all of which are for redemption and easily showing Jeremiah Collins (reincarnated as Burke Devlin in The Pit) to be a good guy after all is said and done. So grateful the farewell details were to her liking as well as Maggie being very much herself.

 

A newer reader to this novel left these lovely words:

D.S.Romance Fan chapter 22 . Dec 11, 2017

Aww the thoughts of Sam .. He is ready to be a Grand father… It’s time. Beautifully written. Sarah has always been a bright magical child. Lighting candles is such a great peace offering.

 

And I dig that because she made the fine observation of Sam becoming a grandfather someday in this scenario. I’ve been a bit worried readers didn’t understand what was being explained in this chapter. If Maggie is to give birth someday to Sarah as a reincarnation, Sam would undoubtedly be a grandfather then, and would no longer be able to call Sarah by the previous title of “daughter-in-law” as he did at the Evans Cottage. This works due to Barnabas being his son-in-law, therefore the sister of his son-in-law could theoretically receive a similar title. But Sarah as a granddaughter will be easily to say and to write down, not to mention far more precious still.

 
For this chapter being so filled with details and discussion, I must allow one log entry. The others will be more difficult because they aren’t so much chapters but basic summaries. So I might make the next note about those or skip ahead to chapter 25, etc.

 

Well, I hope this shows that I’m feeling a bit better from my tragic thoughts and social media temptations. The phrases of “never cured” and “one day at a time” springs to mind. Plus I do want to focus on this novel much more again so that we can continue that as we continue in The Pit of Ultimate Dark Shadows audio series.

 

angel
As much as a struggle it can be to make sure Sarah Collins is as convincing as I can present her, she remains to me an honour and joy to be present in my endeavour. Joy seemed to leave our friends on Dark Shadows when Sarah did. Her return in The Pit and later this novel brings joy back to them over and over again. ❤

On The Subject of Victoria Winters

This has been coming up rather frequently with new friends in my endeavour so I wanted to relay what I am sharing with them in recent letters.

 
I can see how many fans would look at Victoria Winters as the likely marriage partner for Barnabas on the grounds that Barnabas longed for her and often. For some elder fans that longing could have really stuck, as well as the strong person Victoria showed herself to be from The First Year of Dark Shadows.

 
I also expected that, in the 1960’s soap-opera, this relationship would develop naturally into a romance. As I continued to view the program, it was hedging in that direction via Barnabas’ bite on Victoria that had an hypnotic effect. Then she sees someone, who to her, is Peter Bradford from her time-travel period into the 1790’s. It then turns out to be some schmoe named Jeff Clark instead.

 
After many, many, many episodes Jeff Clark discovers that he is INDEED Peter Bradford. Victoria and Jeff finally get married, supernatural weirdness happens to Jeff to take him back to the 1790’s (along with wacky stuff of him being involved in Eve’s previous life filling up some prior episodes).

 
Victoria then endlessly bemoans the loss of her husband. Barnabas proposes marriage to her quite a few times and with that she declines, at first politely but in stronger terms with each successive proposal. (Yes, the actresses changed but I rather doubt the writers would have gone in another direction with Victoria if her role was still portrayed by the original actress.)

 
I was also extremely touched that when Victoria returned to the past to find Peter again, Barnabas went back as well to help the both of them through the struggle. It showed he loved her in a very selfless way, which was part of his own personal growth. (And then FINALLY one couple could live happily ever after on this bloody show!)

 


 
Now there are other productions of Dark Shadows. In the original I found evidence, as many others did, that Maggie Evans was the reincarnation of Josette duPres, Barnabas’ long-lost love.
Newer versions switch the reincarnation of Josette duPres to be Victoria Winters.

 
This is known as condensing.

 
Other productions of Dark Shadows are much shorter.

 
One good example of condensing a story is taking the book Anne of Green Gables and making it into a film as was done in 1934. The film was 78 minutes in length and didn’t provide an enormous amount that was in the book for the sake of time. Rachel Lynde and Mrs. Barry, Diana Barry’s mother, became a single character. Other components of the original story were changed for a faster pace, as well.

 
With the Revival of Dark Shadows in the early 1990’s, Victoria Winters is the reincarnation of Josette duPres. (Maggie Evans gets the shocking role of being Roger’s cheap affair girl. Ewl…)

 
In the unaired 2004 WB pilot, that many more of us have been able to watch, Victoria Winters is shown to be that reincarnation of Josette duPres yet again. (And there is no untoward version of Maggie Evans in our midst. Thank you!)

 
For the Dark Shadows motion picture that was released in 2012, there is a merge where Maggie Evans changes her name to Victoria Winters for the sake of covering up a tragic past, and for which I was very grateful! Again, she is the reincarnation of Josette duPres.

 
(Yes, I mentioned the movie. If you have just suffered a heart-attack because of this please dial 911 on your telephone to get some help and, after you recover, seek a good therapist. Some of us aren’t so sensitive to entertainment we don’t like. We simply turn it off.)

 
There is also “House of Dark Shadows”, released in 1970, giving Maggie Evans the role as the reincarnation of Josette duPres once again. Although it was definitely more horror than romance however much some enjoy the photos to get a sense of romance from it. (I am included in this fun, if startling, group of people.) Barnabas maintained his sense of villainy throughout much of it, which was an original intention on the television show that changed when the audience got hot for the guy.

 
So the pattern just keeps coming up to the point I stroke my chin when viewing “Bram Stoker’s Dracula” (1992) or even “Love At First Bite” (1979).

 
In any case, the big reason in the switch from Maggie Evans to Victoria Winters to merging the two characters is condensing a very long story into a much shorter one. And I am grateful I have reached the sanity, along with others, to be able to actually have these conversations as we might have had ten years ago.

 
In The Pit of Ultimate Dark Shadows we are focusing on the original 1960’s characters from Dark Shadows. Within that show Victoria Winters briefly agreed to marry Barnabas Collins and changed her mind upon seeing her own long-lost love from 1795. Later Victoria was determinedly devoted to Peter (Jeff). His disappearance led her to almost jumping off of Widows Hill to die and be with him again. (Much repeating of Professor Stokes words on the topic echoing throughout these episodes.)

 
This is why I often express that I ask the characters what they want and do my best to provide that. Our 1960’s Victoria Winters didn’t reciprocate Barnabas’ romantic affection minus a very brief spell. I can see the allure of it and I’m also grateful that it exists.

 
However, with Victoria Winters of the 1960’s program I saw a lot more unveiling in her own personal needs, choices and desires. It’s just that Barnabas Collins wasn’t one of them. Believe it or not I have even heard long complaints when Barnabas pines for Victoria to which I respond, “Cut the guy a break. He’s in love. It does that stuff to a person.”

 
So, in The Pit of Ultimate Dark Shadows, that is why it is not a Victoria/Barnabas story. I know many fans cling to that for the 1960’s original. Part of it might be those long ago memories that faded and are now coming back in finally re-watching the series. Emotions linger, for humans they can be memory keepers. Another part might be due to the newer productions of Dark Shadows that are more geared toward Victoria Winters with Barnabas Collins, whether she has changed her name or hasn’t.

 
With this in mind I felt it was important to finally write up a log entry about it. Hopefully it will help those who read it.

 
Take care,

 

Daryl

 

Julia and Barnabas: An Inquiry (November 2017)

huh

 

 

This podcast is meant to open a dialogue with fans of this non-canon romantic pairing.

We’ve already been dealing with people who felt hurt and harmed by fans of it, but this is to give some insight into the possibilities of why it continues to get wished for and discussed so heavily.

I go through a few bits of personal news, including a grief I am enduring, before I dive into the topics.

My own desire of Willie and Maggie as a romance long ago, but stronger a difficulty I had with films and books written by Louisa May Alcott. Discussion about one character that confused me for a very long time and how I got over the confusion of not getting the romantic pairing I felt made more sense once upon a time.

I don’t want to hear about your thoughts over “People” and how they feel.

I would like to hear about your needs on this topic.

Meanwhile I am very much enjoying building romance with Doctor Hoffman and Professor Stokes.

I hope this podcast helps you.


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And a happy little thought here: ❤

julia and eliot forever

Pit Update: October 2017

October 2017 Update b

 

For all the pen pals, of course, and chat about why I admire Jonathan Frid, geeking out about Canadian culture. Getting Pit burn-out but how it keeps me going anyway. Social media topics and the reasons it erodes us, especially the younger generation without similar life experiences prior to this technology.

 
How bash-culture took over from other more light-hearted heckling entertainment, as well as how criticizing became more important than deep-thought or enjoyment.

Continuing on new episode creation throughout this year of healing. Why letter-writing is healthier for us, and why the web-log I created became so extensive.

 
Discussion about pairings, particularly Angelique Bouchard and Quentin Collins, and with The Pit series how it can come into being. Focus on Angelique’s needs, how she is a much different villain than Jason McGuire.

 
Information of requirements for further chapters of the marriage novel (Margaret Josette Dupres) and how it previously received what it needed to grow: Josette’s complexity, writing influences and how the chapter process altered with the reincarnation of Sarah, and the “impossibly” happy Barnabas Collins. (More is discussed in the March 2017 podcast for the book.)

 
Finding pen friends who have healthy relationships. How choosing from personal interest is healthier than becoming a “critic”, not everyone needs a ton of conflict or villains. “The Enemy Is Us” this Halloween. I wrap up with one, hopefully harmless, heckling to “The Creation of Eve” episodes on Dark Shadows.


 

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Margaret Josette Dupres: Chapter 43

–LINK TO CHAPTER 43: Love In The Half-Moon–

[Adult Content Included]

Love In The Half-Moon Chapter 43

As I work on another May Update podcast and retrospective, in the year 2017, tonight’s offering is for those who await more in the romance of our beloved couple, Barnabas and Maggie (Josette).

This chapter finds a calmer pair as they have learned to live in a world where so many desires are granted, their child continues to grow, and their love blossoms with the same exquisite wonder many readers have journeyed before.

As good book lovers understand, music is a staple in the forming of storytelling and currently my playlist to inspire this novel is approximately 300 selections strong. For this chapter I’ve gravitated in shuffle from Artesia and Narsilion, but mainly I’d like to stress the comfort in a new artist I’ve discovered: Ludovico Einaudi. He composes classical music in our modern times and I listened to a great deal of his soothing structure while this chapter fed out from my skills.


For our couple comes many meditations in present and past experiences, as well as the understanding that their lives have ceased to behold the constant worry they once knew. The desperation is lowered but the adoration for each other is still high. Mainly it is only the two of them, but the end of the chapter includes our beloved butler, Wadsworth, and his old employee, Willie Loomis.

Please hit the link above if you would like to read.


(Post Script: New pen pals might want to dismiss this for now. It’s a long way down the road from the radio drama. Thanks.)

Pit Update March 2017

march-update-2017d

 

A “sickie” podcast for new pen pals and old listeners alike.

This is a very newsy and studious monologue. I’ll address what’s going on with the letter-writing method of listening to the series and knowing that many who want to hear this can’t always download or play it via having poor equipment.

Lots of discussions of people I’m talking with lately: Auntie, Jonah, etc.
Identifying interruption fan fiction and how it works with Osheen Nevoy and Lisa Weyenberg’s works as key examples.

Tons of spoilers for The Pit and later on a lot of spoilers for the marriage novel I’m creating in tandem. As per usual, this talk and explanation is quite cerebral, as well as moving back and forth discussion on various show characters being responsible for solutions in The Pit, including Endora and Uncle Arthur from “Bewitched”, as well as Wadsworth, Captain Gregg, Lily, and Morticia.

Plenty of goodies about Doctor Who coming into play for The Pit and exactly why he will.

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And yes, it is downloadable from iTunes, as always...