Thanking pen pals for helping me to heal, explaining why that is important and discussing how the happy buttons ruined upbeat discourse in people over the years.
Plenty of lively assertions in why beating around the bush about having “no time” to chit-chat is ridiculous, particularly in regards to over-use of social media. Lackadaisical listings of informational resources that have been important in creating the series which might help listeners.
Presentation of where and how The Pit discussion questions are displayed, and why they are important for this fairly cerebral programming.
Starting retrospective from Episode 1: “Parapsychology” and on through Episode 7: “The Blair Warlock Projected”, with whatever nuances I felt were fun to point out at the time of this recording, including a few perspectives via reviews, different TV show and movie introductions per episode, technical aspects and inspirations. When the Barnabas and Maggie couple suddenly mattered so much and how performing the role of Barnabas Collins changed things irrevocably.
Finally, description about this experience for you and I, along with the details of why what’s happened with misinterpretation of myself, this project, and the expectations of what the internet is, has been detrimental to all involved, and how to break free from those ideas. For listeners using social media who disavow having an addiction? Too late: You’ve got one.
Just picked up the mail and I am reveling in the fun of it! My stationery horde is dwindling and I’m discovering people who like to savour The Pit as it was meant to be savoured. Hallelujah!
Today I opened this delightful missive which says, “I’m glad that we’re pen friends! You’re the only pen friend I have who sends murder mystery parties with your letters, and I can attend these parties in my PJs!! Woo hoo!”
She also sent some very fun ticket stickers which read: “Admit One”. I am actually trying to get rid of all my crazy stickers but when I saw hers on the back of her envelope I suddenly desired stickers like that. Then? Inside the envelope she had included eighteen of them for me! It was this way of expressing that my show ought to be sent with those tickets as that signifies the theater feeling The Pit brings. What a bloody JOY! Weeeeeeeeeeeeeeeeeeeeeeeeee!!!
Another pal drives frequently so the CD version of The Pit episodes are perfect for her long hauls. It’s funny because I often anticipated truckers would enjoy The Pit but I’ve yet to hear from any of them. Hopefully this was never due to Maggie expressing a bit of distaste to Barnabas in Episode 10 with,
“Oh, Barnabas, you’ve obviously never encountered a collection of all-night truck drivers swapping suggestive tales over their greasy breakfast plates.”
But who knows?
There are a few listeners of The Pit who don’t quite pick up the knack of the discussion questions as being guidelines to expressing what they enjoy per scene. That’s okay, though. The method that we once had to express our delight and the fun in our entertainment is very much more the “dying art” than letter-writing ever was or has been.
While it became extremely trendy to Hate-On so much in our abundance, the enjoyment of discussing what we were entertained by took a serious nose-dive when we were offered the alternative thumbs-up buttons. There are now even pesky hearts on youtube and iTunes to degrade our faculties even further. If there was an app for making these happy-buttons disappear I would consider PAYING for it. Monthly! (I already enjoy advertisement blockers on my equipment so I have little idea what kind of scary billboard world a great deal of my online audience is being suffocated with. 😦 )
The other difficulty we currently face is having too much choice. I’m immune to that being difficult as I already pruned my needs in the last twenty years. Even before the internet I had far too much thrown in my direction that I could never understand why I just had to like. Another reason I live on Devo’s “Freedom of Choice” song; All around me are people who really do want “Freedom FROM Choice”. It’s not a matter of a good lead to something they would naturally be interested in, but just floating through life waiting for others to send them in whatever direction another wishes them to go.
That became the worse problem imaginable as my audio entertainment was finally noticed and suddenly I had to see the same style of Dark Shadows fanfiction I was tired of reading and trying to avoid. My work, articles, and podcasts made it extremely clear what my interests and goals were in that department. Then, rather than find the specific niche audience I was looking for, it was the bummer-city, cliché types coming forward with precisely what I spent five years finding and did not enjoy at all. It’s as if most the online world is so flabbergasted with too much information that listening to a person or a fictional character is well-nigh impossible for them to do.
This is why correspondence, and the skill of it, is so important. It slows us down to start digesting information at our own human pace. This works because human beings are what we are, regardless of how desperate we seem to be to become The Borg or TheCybermen instead. It’s also exactly why we attained creations such as The Borg and TheCybermen in our storytelling: It’s a warning of things that could very much happen to us in the future. (Or right now.)
As for Episode 17 in The Pit of Ultimate Dark Shadows, whose current title is “A Bio-Exorcist Comes To Collinwood”, I am working on the audio, yes, but I am also taking my time with the pen pals and letter-writing to heal myself back to being a better person. I’m often thanking each and every individual that I write to for helping me with this, even when they are so grateful to me for giving them the gift of my episodes. For me it’s a shared process and precisely how I always wanted to do all of this. “Go Online” wasn’t the worst option for me, it was the obvious one. But the human touch of going online was losing ground and I didn’t know that. Nobody seemed to know it, but they definitely defended it, that’s for sure. (It’s much easier to be dismissive, isn’t it?)
The audio itself is grueling and my format from doing voice performances back and forth in one go has shifted toward doing each voice separately. Doing that slows down the creation time. But this is a technique that most audio dramas are created by, having each performer in separate cubicles with a script and a headset, so it makes sense to switch to get each character’s voice better. I’m also finding that using a more caricature performance is as important as the accuracy in their speech patterns. The caricature voice differentiates who is speaking more easily so that it’s less likely a listener will lose track of which character is saying what. However, our too-friendly bio-exorcist is pretty damned easy to spot. Ha ha ha!
The romance is sparking for our three couples now, Barnabas & Maggie, Tony & Carolyn, and Julia & Eliot. I really love how Elizabeth and Barnabas were running things at this point in the original Dark Shadows, but with Elizabeth on her voyage to England for my show, I’ve had to move away from that and am irked for a solution as to who will invite Amy Jennings to stay at Collinwood, eventually. *sigh* I thought, “Well, I could find some hilarious, sarcastic way that Roger would be encountering her instead and deciding, ‘Why the hell not?’” But that didn’t give me much enthusiasm.
The great answer came last night… Carolyn & Tony! Or it could just be Carolyn, or heck, Carolyn AND Carolyn, Stoddard & Muir. Who knows? But in any case I finally hit on how to keep Tony Peterson and Carolyn Stoddard’s romance alive: Do exactly what was done before. Have them solve problems together! In The Pit that is what reignited their romance, which is similar in many couples both fictional and real. (That kissing you hear in The Pit for these couples is obviously not me smooching my arm! That is me and my own sweetie. He’s been shy about it, but hey, he’s getting kissed! He’s not going to say no to me for that offer. 😉 )
So, for those who aren’t writing to me on paper or via email, there is a big reason my online activity has dwindled. I have returned to pen pals and am enjoying it immensely.
No happy-buttons or flinging of links is going to get any of us more of the work and it never did before. Correspondence and discussion about the show(s) is what makes that happen and always did. When I receive insight and feedback from a listener I get to their responses a whole lot faster because this is my passion and my calling. But there are some pen pals who have no interest and that is also fine by me. They keep me company with other interactive details about life in general. That’s healthy and very healing all around. (People writing to me by email, private message, or even postal mail, who love the work but avoid the topic keeps me more at bay with them. This should be a surprise to no one. And really, why would it be?)
I do have a potential“Pit Update April 2017” started but I’m hoping I won’t have to create and release it. I prefer getting to the actual work. And strangely enough it is the quiet discussions of the characters on the demo and in the “editing room” that rivets me more than that fight scene everyone is waiting for! Maggie and Sam with their awesome percolator, Tony and Carolyn going for a drive, Dr. Hoffman and Professor Stokes having a quiet, studious discussion with romance interlaced, while Lily and Elizabeth enjoy the delights of mingling on board the RMS Queen Elizabeth ship. Those happier scenes are what keep me going.
I’m also working on the script for Episode # 18, “Braving The Waters” but that will take more Ghost and Mrs. Muir and Bewitched studying, of course. Chris Jennings may make his first appearance and there is fun already planned for that, similar to on the original Dark Shadows but much more humourous. Hee hee hee! Bill Malloy’s ghost should encounter Lily and Elizabeth. Lily can have tons of fun with Bill. I really like Lily as this cousin to dissuade Elizabeth needing to fear ghosts and the like, and Melissa has told me how wonderful it is for Elizabeth to finally have a girlfriend to pal around with, “She just never had that on the original show. This is really good for her!”
When we discussed it over the phone neither of us could quite figure out which of the two of them is “the straight man” in the relationship as that role sort of bounces back and forth between Elizabeth Stoddard and Lily Munster. Elizabeth shrugs at any clues that Lily is a daylight-walking vampire with even odder family members, and Lily doesn’t seem to notice Elizabeth being far more mundane than Munster, since to her Munster is mundane.
Another great thing is keeping Sam Evans alive and stretching out his weird psychic trips from his DS: First Year characteristics into being a reincarnation of Andre du Pres. This helps in the extreme with Maggie Evans processing her own reincarnation experiences.
If they had aimed to pull it off on Dark Shadows, which is what I saw them reaching toward, I’m not sure how Maggie could have handled that on her own. Her father, Sam, is the perfect bolster for that, especially if he’s already going through it himself. So in sorting out the main reason I started all of this, it ends up being a wonderful help in solving a lot of other dilemmas I might have faced if that wasn’t the reason I began.
My struggles with Willie Loomis have reached that safer harbour with him now as Wadsworth’s presence has helped to calm him down and I am very much looking forward to healing right along with him. His history is a mystery and should mostly remain so as it did on Dark Shadows. The main point with him is growth and learning better battles to pick, even if some are merely with his pen. Now that I have pen pals by snail mail I can practice my own calligraphy a bit more. ❤
As for the marriage novel, I’m still working on the next chapter which will be quite romantic. (And *cough* “adult”.) Their exploration of old memories will drift through, and I might add a card game in it rather than ending it with them planning to play one. It takes a lot out of me to go into Barnabas-mode, but it’s rewarding. As Sam himself mentions the couple in Chapter 22 of the novel, “…driving through the town of Collinsport to get to The Old House, where my daughter now lived with her excessively romantic husband…” He sure is!
I’ve complained he won’t let me write scenery, but the main thing I’ve had to admit to myself is that Barnabas, on his own terms, would hardly write scenery. The scenery he is forever looking at is his loving bride, Maggie, who is Kitty and Josette and herself. There is a lot to look at in a gal like that! (Even Cousin Lily can see the affection there. 😉 )
Hopefully that’s updated everyone enough as to the state of things with me. I’m still determined and passionate, but I’m also healing from three years of shock, devastation in friendship loss, watching this science-fiction nightmare made of our lives happen unabated, and all of it being defended by masses of people who can’t bear to blame themselves for being misguided.
Now I get to editing, my letters, corresponding with new friends, and racing to the door when my sweetheart comes home. Then I look at my wine bottle and, after three years, I am finally able to say, “I don’t need that tonight. I’ll finish it tomorrow.”
P.S. If some of you out there, as several pen pals have expressed, mainly know Dark Shadows from the 2012 film of it and therefore believe I must automatically “hate” you? No. I don’t. It just got trendy to hate that film like a whole lot else got trendy to hate.
Hate became a disease online as it garnered attention. It’s a junior-high and high-school condition, and can also happen with spoiled louts in college. Whatever occurs to cause that; it’s a phase and a fad. I love the 2012 film, actually. I love a lot things that get a lot of hate. I always have, so I don’t worry about it. ❤
I also realize I’m going to have to hit any M*A*S*H sites for information of what might be going on with Hawkeye after the Korean war… which means I should double check stuff on “After M*A*S*H” especially, though I don’t believe he was ever on that spin-off. There may have been possible mentions.
Next up… a Dark Shadows timeline? Anything on the order of that? Well, story lines, which of course are a massive jangle in the space-time-continuum. I went through the DS Almanacs sent to me as gifts. Wonderful lists. Then a great admin of my first DS group, which I sought out as protection to only go to, in the beginning, posted the list for me from the DS Wiki (the site I used frequently years ago).
1 to 127
The Murder of Bill Malloy
46 to 126
Laura the Phoenix
123 to 192
193 to 275
Barnabas the Vampire
205 to 209
The Search for Barnabas’ Cure
291 to 365
365 to 466
Adam and Eve
466 to 636
The Dream Curse
477 to 536
627 to 700
639 to 700
Return to 1796
657 to 667
700 to 885
The Hand of Count Petofi
778 to 883
886 to 980
895; 914; 920; 921
1970 in Parallel Time
969 to 1060
1061 to 1070
1071 to 1109
1110 to 1198
1135; 1155; 1175; 1180
1841 in Parallel Time
1186 to 1245
All right! So, what have I done that I cannot undo or re-do? I interrupted at about #5 in this list, but continued in a weave-through and into story line #9. I didn’t have the full set, so I did most of this from memory alone. Steps in the thick of it are somewhat out of place but, hey… I’m only one person here. I’m still suprised I got it all this accurate. I asked a beautiful new friend for help to recount where Tom Jennings came in. (I remember in a podcast I mentioned losing track of what was going on because of the rental company missing various disks, so I was balking where I’d brought Tom in.) She resplendently found DS. ep 554. Thank you!
Regardless, I’ll be watching most of the series over again, someway, somehow. *knock on wood* Among various other series and movies. Ah!
The question remains… am I going all the way through #20 in this list? Not bloody likely. As the ghost of Caleb explains to Barnabas in my 15th Episode, “And my connections swear there will be none of that parallel time nonsense.” (Which, of course, requires that he has to tiredly explain what the hell that even means. In The Pit of Ultimate Dark Shadows, at least for what I can recall via the weave-in, there was no going back and messing with Lt. Forbes in order to help Victoria Winters and Peter Bradford because? They didn’t fall back into the 1790’s but instead took a road-trip and went to these places instead:
All right. It doesn’t exactly look like a corner brew pub from The British Isles. Victoria Winters and I were a little tired from the long drive. So sue us. (Oh, whoops! I’m broke from this project! There’s nothing left to sue!)
With these factors in tow, it isn’t likely Barnabas Collins is going to understand Parallel Time until he returns from the dreaded Kitty=Josette retcon. (Retroactive continuity, or retcon for short, is the alteration of previously established facts in the continuity of a fictional work.) But how will this work? Heck, how the hell does Maggie Evans already remember being both Kitty Soames as Josette Dupres and the original Josette Dupres?
You think Barnabas & Josette have wild memories? Try being John Sullivan. (Thank you, Toby Emmerich.)
Meanwhile in Schooner Bay, there really isn’t much of the music score to find for the television version of The Ghost and Mrs. Muir beyond the theme song. Going back to my old influences when I had less music for Dark Shadows I bent in the direction of familiar composers or music the same composers might use. (Similar to adding Santo & Johnny to be heard on the radio or at The Blue Whale.) For what I found on who composed the music for our Captain Gregg and Carolyn Muir?
Series Music by
George Greeley … (19 episodes, 1969-1970)
Dave Grusin … (7 episodes, 1968)
Warren Barker … (5 episodes, 1968-1969)
Harry Geller … (2 episodes, 1970)
Fred Steiner … (1 episode, 1968)
Artie Kane … (1 episode, 1969)
Not sure why my sources place these chaps in this order, but at least the information was there, so I can take a look around at what they might have done on the side. Again, I won’t worry too much about adding anything as I don’t see Captain Gregg coming back until Episode 18 in The Pit of Ultimate Dark Shadows, but it’s good to get the ideas flowing for creation again. It’s been a long time since my adopted set sail for newer adventures together (December 2013, to be precise).
Oddly enough when I poked around the DS Wiki I noticed a link that said, “Here’s What Really Happened to Barnabas & Co.” Well, I guess that’s what the TV Guide wrap-up decided to title what at the end is written as, “No audience will see these stories playing out. But for those for whom the characters were real, these are merely signposts pointing the direction the characters might have gone.”
There is vaguely more Willie Loomis salted in than I recall… but in either case? I am persuaded to believe that wrap-up just as much as I believe this one:
Are listeners floored by the radio drama because they don’t believe this either? Very likely.
In all of these things, as we stagger onward into the telling of this multi-fandom fiction, based on another multi-fandom fiction, the pieces keep falling into place. The odds are against us struggling away from what we’ve been programmed to do: Say happy things only in cliche’s and pronounce negativity with an amazing detail of description and adjectives.
But the supernatural tempts us to question our existence. As my husband enjoys proclaiming, “Ghosts? Sure… Werewolves? No problem. Vampires? Great… Reincarnation??? That’s ridiculous!” Ah, my sweet love, perhaps our listeners feel it’s too close to the bone. All life works in stages, and if reincarnation be true? It also is a form of existence that works in stages from one life time to the next, rather than mortally stepping through infancy, childhood, adolescence, the teenage years, and then the longest stretch: adulthood.
We, all of us, are part of a collective more complex and profound than any other animal life on this planet. But complexity frightens us…
Josette Dupres’ complexity frightens us. So? We simplify her.
Barnabas Collins’ complexity overwhelms us with it’s alienation, shame, self-doubt, love and aspirations. So we invalidate him and augment his character into various forms.
The heart of the matter is that changeability means being human. It is the ultimate darkness from which we can’t escape, but try to, in so many trivial distractions. The reason that Barnabas Collins irritates us so much, why we try to push him into corners where he refuses to fit? That is a reflection. Something we have a hard time looking at. That’s why I must ask:
Yep! We are continuing on with the comprehension questions. Now if I only wanted to test your comprehension skills I would have done like I did at the high-school: give you inquiries with multiple choices to circle. Please forgive me if I would appreciate your thoughts on these episodes. For many a fic-writer I have unfortunately learned it is, “my story, my glory”.
Oh? Then? Write your own original material and be done with it if that is how you feel? I certainly have about my own original material, but even then? Why bother sharing it if there is to be no discussion whatsoever?
“Well, I’m sorry… but I’m going to have to shoot you.”
As Cleese expresses when he shoots Palin’s character in the audio version of Monty Python’s Cheese Shop sketch: “What a senseless waste of human life!”
And now? Onto the questions for The Pit of Ultimate Dark Shadows, episode 2: Chamber Pots & Coffee Cups:
The Pit of Ultimate Dark Shadows, Episode Two: Chamber Pots & Coffee Cups
(Just if you would like to have some practice, you know. Complete sentences, please.)
1) Milligan & Hecubus explain everything that happens in Dark Shadows as we skip along, so this episode, as with #3, are a weave-in to the original show. Did you find all the catch-up material adequate?
2) Then we relive Victoria’s return from 1795, with the household cracking more jokes. And suddenly Julia Hoffman IS a doctor! (Rather than a historian.) Thoughts on that?
3) Ah yes, the chamber pot issue. Later Victoria recalls seeing George from “The Time Machine” as she came back. Hopefully that music cue was familiar. How’d ya dig it?
4) Oh dear, Wadsworth and Dr. Hoffman aren’t getting along. She likely sees him as competition to healing Barnabas’ troubles. (And considering Dr. Lang, I don’t blame her!) How did you enjoy this scene? (Especially with Peter Bradford’s cameo? LOL)
5) Now the coffee cups part. Maggie & Sam? They seem to be somewhat aloof as to caffeine and what it does. How did you enjoy this scene?
6) Ah, and now we blend the darkness back in as Barnabas reaches his “staring window”. Wadsworth pointing out changes Barnabas could make to how he treats people. What did you pick up there?
7) Carolyn and Julia, now we’re getting some healing done. Pretty good scene with some humour. How did you take to it?
8) Sam and Maggie reach The Old House. There is actually some geographical teaching involved in this scene. Can you tell where? Also we have Wadsworth giving Maggie Evans the earrings now (rather than Willie doing it.)
9) Last but not least, yes… Roger answers the phone and Miss Cleo is on it. Enjoyment on that? Also the Annette Hanshaw song. I felt it was pretty obvious by this point who Barnabas was shooting for.
And here is where it is best to relay your responses (in complete sentences, por favor).
I have the latest creation of Episode 15 in progress. I remember one reviewer, who’s been M.I.A. lately, requested that he was looking forward to more original Dark Shadows music. This let me know what he was hoping and looking forward to so I went all out and started to purchase some more goodies. I’m with him that it enhances the mood. In this discussion, however hilarious with Nicholas Blair and Vampire Angelique, present certain additives that are beneficial. I’m finding this one gem called “Wailing Theremin (Angelique)”. I think it really could set the tone for her discussions on death and what that was like. Things of this nature bring back my intrigue for production and quality. (Definitely beats some of the rudeness I’ve been gleaning off to the side via areas I’ve been asking for help, and then getting quick-to-judge types throwing harsh words out for no particular reason. People? The world is filled with a wild richness of entertainment. Go find something you like and quit bothering me. Thanks.)
On the other hand some of the review-swaps and workshops are bringing in a trickle of hope. I’ve had some messages letting me know, “I love your rants! It shows you’re human. If people can’t understand your obvious need for feedback with such hard work? Just rant some more!” LOL! Well, I don’t know about that. I’d rather get more constructive stuff done, but, oh, my gosh! That is certainly encouragement right there! I’m also wondering if something is up in new applications but a couple people have been pointing out the otr effect: “Old Time Radio”. I’d say my project has that. I’ve looked into the other productions where they bring back the same actors to either perform new roles or old ones. I remember one had a ghost of Caleb Collins and I thought, “Ohhh, if only I could afford that.” Then I pulled back and realized if I was basing everything on The Coffin Box DVD set (along with the other shows and movies) to the best of my ability, no. Don’t get the new radio dramas other than for listening to voice structure. And the music is similar but it’s too slick for me. I prefer more of an old-time sound and with the Dark Shadows original music I feel it’s more appropriate. I would love more music from other shows if I can find them. I am absolutely thrilled with the effect the Clue soundtrack has on Willie and Wadsworth scene in “A Balancing of The Humours”. It was the perfect touch! 🙂
Meh… arg… well the wailing theremin did sound good in the mix… but I can hardly tell with… the leaf blower outside… ugh…
Now this is good. Someone told me recently I got Angelique’s voice as perfect as I could. That was from an earlier episode, but as for this one… Gosh, that breathy maneuver of hers is pretty fun. Oh, I can’t wait to do more voice-acting. I really miss it. Also this episode with the newer attempts at Lily are also good. I remember a super long cold where I double checked as much of her screen-time as I could. For The Pit of Ultimate Dark Shadows I look back and felt maybe she was too cheerful. At the same time… Herman, and even Grandpa, could seriously irk her at home. I think she was so thrilled to go on a trip she brightened even more. But now I’ll try and get my adoptee into more of her motherly aspect. I think she feels very at home in Collinwood but with that sense of wonder why everyone is so uptight about things of the spooky nature. It’s the more modern and mundane foibles that get on her nerves.
I know how you feel, my dear. Modern foibles certainly have made my life more difficult these days.
Uh-oh… Well it does make me less bored but I’m hitting the sauce again. And that means… *sigh* my mind has slowed to the point that a lot of this audio dialogue sounds faster. So I think what I’ll focus on is eliminating flubs rather than worrying about silence timing. (Yes, when I become intoxicated I am well aware of the changes it makes in my focusing skills. I use this as a tool in many regards, not simply as a way of loosening up.) I think it’s time to get the coffee on the perk here…
(DS ep. 21) CAROLYN: Think it’ll perk faster if you stare at it?
Nah… I just like to listen to the burbling in the background, but this is likely how I feel when I’m staring at an audio file. Maybe the episode will just be created faster if I stare at it… or when I look at my stat numbers for downloads and reads… maybe if I just stare at them I’ll get the discussion faster. Meh… hasn’t worked in over three years…
Okay, ladies: Morticia, Victoria, Grandmama? I am not going over this scene again. I altered the volume in voices to the best of my ability, saved the file as-is and am done with it. However it comes out, it comes out. Now onto the next scene…
A discussion between Maggie and Barnabas in Josette’s room. This needs attention. There are a lot of words that are two low in volume and, even in my current state, I can tell many of these silences are far too long. The occurrence itself is unique. I was telling a friend about this. Maggie as Josette and in her old room behaves more like Josette than elsewhere. She’s more contemplative, serene, which represents her ghostly persona as well as her original one. I’d written the text and done the demo in 2013 and didn’t quite notice that difference. This was the journey I was looking forward to with her, not having realized how far we’d moved into it. That quietude of reflection in understanding herself as well as her own place among those living, dead, and undead.
There he is mourning her loss, over and over…
And here she awakes to say, “Barnabas? It’s me.”
I felt it was both a moving and uplifting culmination of what was obvious. Didn’t think there was going to be so much hullabaloo over the damn thing. Then again, I didn’t expect it to heal my love-life either, so there ya go. Guess it’s a stronger romance than I anticipated! ❤
Ahhh… the Willie and Sarah scene. All the way back in November of 2013 during my first intro, “If anyone has some rustling in the leaves sound effects? I need some.” Nope. That bequest was never answered… Oh… thank the Lord. Found a bit… took a while, though, longer than my writing this. (I tend to go back in forth between the work and the blog typing, btw.)
Helena? I think I’d like to go over the text version of this with you. I remember you agreed the old draft was awkward, and it’s not like I’m going to make any major changes now that it’s altered and the audio performances are done, I dunno, I just feel like it. (You know me, I like to chat and workshop. 🙂 )
Now… the music I planned for this. I’m worried it might be too sweet and not quite fitting enough for that spooky element. Although, Heaven knows the tune I’ve picked tends to give a lot of people the creeps via where it comes from. The problem is it’s a music box version. Currently I’m playing with all the oddities in sound change and variance. Mmm, little discoveries of, “Oh, hey! That sounds better” and others of, “Wow! REALLY bad idea! Undo...” *chuckling* I believe bringing this in as quietly as humanly possible for the human ear to notice will be best.
All right. Banging your head against the brick wall enough here, Daryl. Don’t add the music or sound effects. I remember Willie Loomis had a ton of performed, then re-performed, lines and inflections I wasn’t sure about. I was shooting for easier-going Willie and was able to find some audio clips that sounded good to feel the swing of it. But there are variations and I have to pick the right ones. I think I have to do that with the Willie and Wadsworth scene a few cuts down the road here. And that one was less laid back and more with Willie revealing an internal struggle of understanding how he was treated by Professor Stokes during his calligraphy sessions. Of course, he was treated well, not something in Willie’s usual experience. More about that to come.
I think that wraps up my blog entry on where I am now. Happy to get more enthusiasm and discussion on the episodes. Just experiencing this journey on the path to recovery. Much praise, but again I’d like to hear more of that for the characters and less for myself. This is for them, not just me, and this is for sharing how that experience proceeds with each other. I keep hoping more listeners will understand that.