Pit Update March 2017

march-update-2017d

 

A “sickie” podcast for new pen pals and old listeners alike.

This is a very newsy and studious monologue. I’ll address what’s going on with the letter-writing method of listening to the series and knowing that many who want to hear this can’t always download or play it via having poor equipment.

Lots of discussions of people I’m talking with lately: Auntie, Jonah, etc.
Identifying interruption fan fiction and how it works with Osheen Nevoy and Lisa Weyenberg’s works as key examples.

Tons of spoilers for The Pit and later on a lot of spoilers for the marriage novel I’m creating in tandem. As per usual, this talk and explanation is quite cerebral, as well as moving back and forth discussion on various show characters being responsible for solutions in The Pit, including Endora and Uncle Arthur from “Bewitched”, as well as Wadsworth, Captain Gregg, Lily, and Morticia.

Plenty of goodies about Doctor Who coming into play for The Pit and exactly why he will.

archive.org link

podomatic link

podbay link

And yes, it is downloadable from iTunes, as always...

How To Get Back On Track…

Before I get started I just want to address that there are a lot of podcast updates and plenty of entries on this web-log you might be interested in. If you want to search for specific items you can use the search engine here on the upper-left, just below the logo for The Pit of Ultimate Dark Shadows and above where it says, “Links To Episodes & Chapters”. Just type in the box what topics interest you.

I am explaining this because, as I’ve analyzed the devastation of social media on the human psyche, I am noticing that a major problem with us is we aren’t using our voluntary ability to seek out what we are looking for on our own. We’ve been programmed by social media algorithms as well as those algorithms which alter what you get first in a basic online search engine. Like spandex, this blend of programming tries to make your journey online “form-fitting” to your preferences. Unfortunately that means you will have less choice in the long-run and may have found yourself being led about by the nose until you feel your freedom-of-choice is seriously lacking. (Has anyone out there forgotten how to clean their room? Me too.)

Still, search engines are the best way to get started and remember that you are in charge of making your own choices. Many suffered and fought for the right to vote and freedom of choice. Don’t get too complacent with that right or it will be taken away, believe you me. You’ll either find yourself beholden to what’s thrown at you or you’ll have no sense of direction due to being oblivious to this format. A lot of algorithms promoting a person’s perceived interests very much weakens our ability to voluntarily look for and choose what we want to do or discover.

I’ve studied the social media phenomenon and psychologists report all this will eventually self-correct. My concern is we all are feeling embarrassed having gotten addicted to it. People often don’t like to admit to “being had”. However, we are all in this silent-crisis together so I’m happy to chuckle at myself and downgrade back to “being human”.

Thankfully my previous mental and emotional dilemmas were relieved by what some call “fluff” or “slice of life” storytelling. 🙂 There is some contradiction of what that means in literature as compared to theatrical works. In theatrical parlance, the term “slice of life” refers to a naturalistic representation of real life, sometimes used as an adjective, as in “a play with ‘slice of life’ dialogue”. I prefer looking at it that way even though much of what I’ve taken comes from the literature format. For those who have a high level of stress throughout most of their life these tales, books and films promote a sense of how one may live from season to season in good health. Tragedies will come, but they are rarely earth-shattering. Hence, I may remark, if one needs excessive tension or stories containing massive amounts of abuse, “They must have a very comfortable life to require that much drama and excitement.” (With Dark Shadows I would fast-forward through certain lagging scenes with the words, “The suspense is boring me.”)

If one has listened to my librivox material it will be noticed my preferred reading material is “slice of life” or “fluff”. I have also repeatedly read almost every fictional work by L.M. Montgomery, then I found the Fairacre series by Miss Read. The protagonist is an excellent example of a lady who is proud and satisfied with being a spinster regardless of how many nosy neighbours feel she should be otherwise. (Yes, I figuratively shout from rooftops about being a happily married woman thanks to Barnabas Collins and Maggie “Josette” Evans, but I maintain those without any romantic-paring inclinations may feel absolutely free to be themselves too!) With my readings of Vladimir Nabokov I find the same steady but intricate components that one would have in this genre even if some of it is intense or dark, but with all of these authors the depth of vocabulary is especially stimulating for description and comprehension.

I was about to enter the worlds of Beverley Nicols and D.E. Stevenson but I fell into The Pit of Ultimate Dark Shadows and here we are. Still, I mention these authors and creations for the sake that my own previous anxieties and struggles were lifted by what I learned imbibing them. Having lived in a form of hyperspace for so long I now have to downgrade to a human pace again and re-learn how to function in it. I deduce many other people could benefit from doing the same.

Much in the way of “stuff” needs to be sorted and thrown away, and a great deal already has been. I got a good start when Melissa entered my life. (Thank you!) More telephone calls or voice calls help this. Technical troubles still loom but finding ways to take care of them will be at a human pace, plenty of time to reflect on the everyday while one is standing in line or sitting in waiting rooms for tech support. If I’m bored there I can read some Victorian non-fiction to pass the time. (I still plan to get to Dark Shadows 1897, right?)

Correspondence? OH, YES! A precious few people still write letters and email. I like to watch the shows and take notes on them while I respond to those letters. In fact you might enjoy my reflections of what’s happening on Bewitched, Dark Shadows, The Munsters or The Ghost & Mrs. Muir and have some of your own to send in return. Good fun. (The Addams Family is heavy note-taking, I’m afraid. That clan has way too many details I need to analyze.)

Exercise? Yes. In fact I keep telling myself I can listen to Pit episodes in order to build new ones while doing said exercise. Fitness routines need space and I’m still working on creating more space. Boy, I miss my fitness routines! Nutrition needs to be seen to; Getting back to a better diet, more leafy greens and fewer carbohydrates especially.

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For The Pit? Well, that’s what this web-log is supposed to be about rather than me grousing at you all of the time. Endora and Captain Gregg will be an interesting dilemma but I have my ideas. It will be better when I reach that part and they let me know what they would say after studying them again. Sam Evans is still around so his reactions to all that’s going on are wonderful. Willie Loomis is calming down some, but we know how his sense of panic and explosive responses can maintain while our trusty butler, Wadsworth, provides the guidance he and others need. I’m sure Willie’s bonding time with Sarah continues as well as Sarah’s playtime with David.

Barnabas is sittin’ pretty with the odd return of Josette as Maggie Evans. They aren’t married yet in The Pit but that doesn’t mean they’re going to keep their hands off of each other. Plus Barnabas is ever the affectionate soul to friends, family and his lover alike. I used to tease him more but getting into his persona expresses the richness in romance and tenderness for that one-true-love and in doing so opens one’s heart to the complexity of love and our need to attain that which is thought to be unattainable.

With Maggie Evans there is a duality to work through. How much is her journey? How much is her as Josette once more?  The core of a person has variables. Memories unlocked provide her with answers she was striving to find, and as she remembers each detail slowly she has to decide what of her lover’s future she is allowed to reveal and what to keep secret from Barnabas so he can prove himself enough to ensure her trust again as a partner in wedlock someday. Still, she knows, there are plenty of bases that can be covered before one reaches home plate.  😉

Victoria Winters is coming into an understanding of her own powers as well as the past she couldn’t find and how it links with Collinwood. Morticia and Grandmama know Victoria has those answers within herself and wish to offer a way for Victoria to uncover them. Meanwhile I believe Peter Bradford is learning about Gomez Addams’ fixation with toy trains. I’m sure both guests are getting used to the hearty meals on Cemetery Lane. (Actual hearts likely included, of course.)

Lily Munster (passport alias Lily Drake) is looking more like Yvonne DeCarlo as Cousin Elizabeth Stoddard smiles with approval, but still there is all that pesky luggage to store and seasickness cures to consider before the wonders of their Atlantic voyage allows them more to unveil on their journey.

One thing I’m feeling strange about is where Roger Collins will be put in all of this. I really love that area of Dark Shadows in which Elizabeth and Barnabas are holding down the fort. How this will turn out with Elizabeth gone and Roger remaining is anyone’s guess! (Wait… I’m getting ideas… uh-oh…)

Tony Peterson and Carolyn Stoddard? I’m all for more of them. There is another date coming, another sunrise, another chance to go for walks, make out, and complain about paperwork and law-crap. Very possibly more Schooner Bay and Carolyn Muir in the works. Maybe Martha, too! That would be hip. (Please don’t ask for Claymore. He scares me. Ha ha.)

Dr. Hoffman and Professor Stokes? I need to watch more Dark Shadows because I know they have a chemistry I can tap into, plus they’ve worked well as a team. But Julia is likely feeling overwhelmed with her new suitor and Eliot has to pace himself before he woos her without feeling a little awkward, of course.

I have to find a way to bring Amy and Chris Jennings into the picture. Amy will be fascinating as I have to get to know her again and discover if there is any need for her to be aware of Sarah Collins ghost, or would Sarah want to shy away? It’s a good question. As for Chris, I believe our Mr. Wells will be pleased as punch he has a guest at The Inn who wants to be secluded for his own noisy activity! After Nicholas Blair in room # 13? I have a feeling Mr. Wells shan’t be arsed to investigate Chris Jennings room! He was warned and has had enough stress dealing with whatever demonic noises come out of Blair’s quarters.

Bill Malloy… how does he enter the picture, how does his ghost feel about Elizabeth Stoddard out in the open? How far has he come and how much farther will he go now that his hometown residents are regaining good sense, easy-going humour, and more acceptances of their spooks which would include himself?

Angelique Bouchard is a tough case. Somewhere in the Dark Shadows series she is missing until her return in 1897. In The Pit I see her returning with an encounter of Endora and Samantha somehow in tow, whether they decide to confront her in 1897 or more modern day. Diablos is a presence neither Endora, Samantha or even Serena nor Uncle Arthur have any use for. What they might think of Nicholas Blair is another story.

Sir Simon Milligan and Manservant Hecubus continue to vie for Angelique’s affections, but in the meantime the two of them are likely getting “Girl-Drink Drunk”.

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As for Daryl Wor, I will try to take my own advice. Live day to day, chat with friends verbally, go out into the fresh air and accomplish routine tasks, throw out unneeded items to thrift stores, recycling or garbage piles. Eat well, write letters, mind the nutrients, create more episodes via the original shows and the guidance of their characters in this new journey we’re on. There is nothing I can do about the lost friendships but to mourn them in confusion and keep going. The social landscape has changed irrevocably. Presume those people will never come back. (It’s hard for an optimist to be pleasantly surprised.)

Remove oneself from the hyperspace of social media.

Downgrade to “being human” again.

Interlude Chat For Episode 15

Personal updates, understanding of what new technology has done to many of us in such a short time (which is very much like “Invasion of The Body Snatchers”). Discussion of how the convenience tricked us into believing we were more connected when we’ve actually become even more disconnected.

How new friendships along with new fans are picking up the pieces and how it’s come about.(Further help is very appreciated!)

News about previous and upcoming elements to “The Pit of Ultimate Dark Shadows”, as well as “Margaret Josette Dupres”: character studies and analysis and why that’s important.

Hopes for getting out another interview/workshop with the wonderfully helpful and well grounded author: Osheen Nevoy. Characters and events coming up for Episodes 15 & 16.(And some irritability at the technical problems we’re facing.)

Suggestions of where to go if one’s personal preference is to live in a “bummer world” rather than engaging in change for the better.

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For said “bummer world” here are a few links to the downer tomes of old:

Ethan Frome by Edith Wharton

Great Expectations by Charles Dickens

Tess of d’Urbervilles by Thomas Hardy

Please use the links to any of those book titles if you’re interested. Have fun… or… have some major not fun!

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interlude chat episode 15 cover

Meanwhile, here are the links to the podcast about how we’re doing and all of us possibly having some actual fun again. Bein’ human. Maybe it’s a lot nicer than you thought.

Interlude Chat for Episode 15 (podomatic)

Interlude Chat for Episode 15 (podbay)

Interlude Chat for Episode 15 (archive.org)

and iTunes, of course, but you smarties with iTunes know how to get that one. 😉

Episode 16: Building a New Episode…

The download numbers continue to rise to the point it makes me almost batty with so much silence in response… Then among various people on social networks there is this idea that I have become many fans baby-sitter. Why? Basic online fandom bickering. If someone was blazoning my name in terms of being some amazing DS creator or something in response to someone else? That would be grounds for me to start baby-sitting fans. They’re not, though. They’re just making trouble for each other that has nothing to do with me or my work. My work is too scary to discuss minus maybe 4 people these days. Meh…

Personal counsel I like though, as well as need. In fact, I can’t figure out how all y’all reading these blogs and listening to the podcast aren’t starving for talk. I’d be starving for it, and have been… Things on a one-to-one basis, discussion about the characters involved here. Got some great help yesterday from a Munsters fan about Lily, Grandpa and if they can see themselves in mirrors…

Grandpa mirror

That would be a yes, folks! Thank ye, sir!

So Lily’s mention of a mirror has had to be altered but only slightly. The witticism in conversation still remains.

Now for the basics… this is pretty much a note to myself sometimes. I am trying so hard to keep it down to 6,000 words for the audio timing but it’s really tough.

The scenes are:

1) Milligan & Hecubus’ intro and opener.


2) Dr. Hoffman, Professor Stokes and… Dr. “Hawkeye Pierce”. (Which bleeds into a scene involving Tom Jennings and Caleb Collins.)


3) Vampire Angelique finally reaches The Old House to confront Barnabas and… “Crap, there are a lot of people here! This isn’t working out so well. Who is this new butler, again? What’s up with the blond guy? Uh-oh… there’s that little girl I messed with via voodoo when she was alive… Not good… “


4) Next we have Maggie and Sam wandering in to discuss what they overheard with Barnabas and Angelique. This will need more work, too. A wonderful new help-mate reminded me of scenes with Kitty Soames in 1897. As Josette’s reincarnation she did visit Jeremiah’s grave for a heart-to-heart and explanation of having been tricked into marriage with him. Which means I have to go through those again and ask Maggie what she knows as a reincarnation of both at this point. That’s the homework involved in this production.


*5) Lily & Elizabeth pack for England… very sweet, but I’d like to find a way to get them out the door before this scene ends. Or maybe something that would keep them out of the house by Episode 17. (Happy for a suggestion here. Passports are done. Customs? Luggage tags? Tickets? We’re in 1968 as far as I can figure out at this point.)


6) Maggie Evans goes to speak to the ghost of Caleb Collins in his house. She feels he’s likely the person to come up with a solution for the most recent problem. Caleb knows Maggie well, in fact he knows a lot about what’s been going on with her and confesses to his responsibility of a few things himself, past and present.


7) Back in Dr. Hoffman’s office a certain Professor Stokes has his own confessions to make, if a little impatiently. 😉


8) Barnabas is sitting near the fire contemplating the current woes with Vampire Angelique. All seems lost, until a small and grizzled voice begins speaking to him from parts unknown.


And here is my trouble. One more scene, a cliffhanger scene should fit in there to finalize Episode 16. I can type it up but that would be coming in sharply back to 7,000 words at this point. *sigh* Maybe I can’t escape that.

Again, the listening comes in. When I go over the drafts I see words characters wouldn’t say and have to alter that, whether it’s form of expression or mention of something. Then one last step before total alteration:

The demo…

I have not done a demo for The Pit of Ultimate Dark Shadows with my husband since Autumn of 2013. But I realize now it’s a key component in building episodes. The listening of the read shows anything good or anything that needs to be changed. Does it sound like everyone? Was there something in the text I didn’t notice because I was reading silently rather than listening? That’s where the tandem of text and audio brings a truer form. Many people listen to audio books now because their mind will wander when reading text. (For others it’s the opposite, hence I make both available.)

Still, I have no idea when this work will be publicly available. People seem to want it but they’re tongue tied about it. Looks like many are mentally capable enough to download an episode, hook it up to an mp3 player, listen and then? I don’t know… I’ve rarely ever known what happens. I don’t get told. I get like-clicked, I get random “friend requests” on Facebook (I feel that site has wounded the word friend.) I get hundreds of numbers a week even though I haven’t released a radio drama episode in six months… and?

I am told I should be happy.

How?

Why?

I’m entertaining gobs of people and I’m hearing virtually nothing about that.

I’m getting hated and harassed.

I’ve managed to garner neglect from people who enjoy my work.

I receive memes and share files as well as notifications in like-clicks that have no commentary to report.

Invitations for group pages flood me with distractions galore and makes simply using networks to really talk to people a nuisance. I’m trying to create something substantial here and even the people who love it make it even harder to create, however easy I’ve made that communication and let myself be available. Why is all of this supposed to make me a happy person? Why?


Why do people become suicidal?

Because very often they feel battered, unloved, and uncared for.

Because, theoretically, it’s only after one is dead that their ghost will finally hear how people felt.

Telling people what you like about them, what you enjoy about their company, the details of good things? That is, for some cursed reason, only something people do after someone dies. Look at what comes from celebrity deaths: That’s when the words spring out. For some reason death becomes the purpose in which the living finally speak.

With that knowledge? Who wouldn’t want to die?

Just to find out, after ages of wondering, what you truly meant to someone…

cemetery_by_satibalzane-d5950v5

Episode 15: Tech and Scenes

I have the latest creation of Episode 15 in progress. I remember one reviewer, who’s been M.I.A. lately, requested that he was looking forward to more original Dark Shadows music. This let me know what he was hoping and looking forward to so I went all out and started to purchase some more goodies. I’m with him that it enhances the mood. In this discussion, however hilarious with Nicholas Blair and Vampire Angelique, present certain additives that are beneficial. I’m finding this one gem called “Wailing Theremin (Angelique)”. I think it really could set the tone for her discussions on death and what that was like. Things of this nature bring back my intrigue for production and quality. (Definitely beats some of the rudeness I’ve been gleaning off to the side via areas I’ve been asking for help, and then getting quick-to-judge types throwing harsh words out for no particular reason. People? The world is filled with a wild richness of entertainment. Go find something you like and quit bothering me. Thanks.)

On the other hand some of the review-swaps and workshops are bringing in a trickle of hope. I’ve had some messages letting me know, “I love your rants! It shows you’re human. If people can’t understand your obvious need for feedback with such hard work? Just rant some more!” LOL! Well, I don’t know about that. I’d rather get more constructive stuff done, but, oh, my gosh! That is certainly encouragement right there! I’m also wondering if something is up in new applications but a couple people have been pointing out the otr effect: “Old Time Radio”. I’d say my project has that. I’ve looked into the other productions where they bring back the same actors to either perform new roles or old ones. I remember one had a ghost of Caleb Collins and I thought, “Ohhh, if only I could afford that.” Then I pulled back and realized if I was basing everything on The Coffin Box DVD set (along with the other shows and movies) to the best of my ability, no. Don’t get the new radio dramas other than for listening to voice structure. And the music is similar but it’s too slick for me. I prefer more of an old-time sound and with the Dark Shadows original music I feel it’s more appropriate. I would love more music from other shows if I can find them. I am absolutely thrilled with the effect the Clue soundtrack has on Willie and Wadsworth scene in “A Balancing of The Humours”. It was the perfect touch! 🙂

Meh… arg… well the wailing theremin did sound good in the mix… but I can hardly tell with… the leaf blower outside… ugh… :/

Now this is good. Someone told me recently I got Angelique’s voice as perfect as I could. That was from an earlier episode, but as for this one… Gosh, that breathy maneuver of hers is pretty fun. Oh, I can’t wait to do more voice-acting. I really miss it. Also this episode with the newer attempts at Lily are also good. I remember a super long cold where I double checked as much of her screen-time as I could. For The Pit of Ultimate Dark Shadows I look back and felt maybe she was too cheerful. At the same time… Herman, and even Grandpa, could seriously irk her at home. I think she was so thrilled to go on a trip she brightened even more. But now I’ll try and get my adoptee into more of her motherly aspect. I think she feels very at home in Collinwood but with that sense of wonder why everyone is so uptight about things of the spooky nature. It’s the more modern and mundane foibles that get on her nerves.

10687054_811563872228011_4165132913829111405_n

I know how you feel, my dear. Modern foibles certainly have made my life more difficult these days.

Uh-oh… Well it does make me less bored but I’m hitting the sauce again. And that means… *sigh* my mind has slowed to the point that a lot of this audio dialogue sounds faster. So I think what I’ll focus on is eliminating flubs rather than worrying about silence timing. (Yes, when I become intoxicated I am well aware of the changes it makes in my focusing skills. I use this as a tool in many regards, not simply as a way of loosening up.) I think it’s time to get the coffee on the perk here…

Ep 21 CAROLYN Think itll perk faster if you stare at it

(DS ep. 21) CAROLYN: Think it’ll perk faster if you stare at it?

Nah… I just like to listen to the burbling in the background, but this is likely how I feel when I’m staring at an audio file. Maybe the episode will just be created faster if I stare at it… or when I look at my stat numbers for downloads and reads… maybe if I just stare at them I’ll get the discussion faster. Meh… hasn’t worked in over three years…

Okay, ladies: Morticia, Victoria, Grandmama? I am not going over this scene again. I altered the volume in voices to the best of my ability, saved the file as-is and am done with it. However it comes out, it comes out. Now onto the next scene…

A discussion between Maggie and Barnabas in Josette’s room. This needs attention. There are a lot of words that are two low in volume and, even in my current state, I can tell many of these silences are far too long. The occurrence itself is unique. I was telling a friend about this. Maggie as Josette and in her old room behaves more like Josette than elsewhere. She’s more contemplative, serene, which represents her ghostly persona as well as her original one. I’d written the text and done the demo in 2013 and didn’t quite notice that difference. This was the journey I was looking forward to with her, not having realized how far we’d moved into it. That quietude of reflection in understanding herself as well as her own place among those living, dead, and undead.

Josettes Ghostat her grave

There he is mourning her loss, over and over…

happy bride

And here she awakes to say, “Barnabas? It’s me.”

I felt it was both a moving and uplifting culmination of what was obvious. Didn’t think there was going to be so much hullabaloo over the damn thing. Then again, I didn’t expect it to heal my love-life either, so there ya go. Guess it’s a stronger romance than I anticipated! ❤


Ahhh… the Willie and Sarah scene. All the way back in November of 2013 during my first intro, “If anyone has some rustling in the leaves sound effects? I need some.” Nope. That bequest was never answered… Oh… thank the Lord. Found a bit… took a while, though, longer than my writing this. (I tend to go back in forth between the work and the blog typing, btw.)

Willie meets sarah again

Helena? I think I’d like to go over the text version of this with you. I remember you agreed the old draft was awkward, and it’s not like I’m going to make any major changes now that it’s altered and the audio performances are done, I dunno, I just feel like it. (You know me, I like to chat and workshop. 🙂 )

Now… the music I planned for this. I’m worried it might be too sweet and not quite fitting enough for that spooky element. Although, Heaven knows the tune I’ve picked tends to give a lot of people the creeps via where it comes from. The problem is it’s a music box version. Currently I’m playing with all the oddities in sound change and variance. Mmm, little discoveries of, “Oh, hey! That sounds better” and others of, “Wow! REALLY bad idea! Undo...” *chuckling* I believe bringing this in as quietly as humanly possible for the human ear to notice will be best.

All right. Banging your head against the brick wall enough here, Daryl. Don’t add the music or sound effects. I remember Willie Loomis had a ton of performed, then re-performed, lines and inflections I wasn’t sure about. I was shooting for easier-going Willie and was able to find some audio clips that sounded good to feel the swing of it. But there are variations and I have to pick the right ones. I think I have to do that with the Willie and Wadsworth scene a few cuts down the road here. And that one was less laid back and more with Willie revealing an internal struggle of understanding how he was treated by Professor Stokes during his calligraphy sessions. Of course, he was treated well, not something in Willie’s usual experience. More about that to come.

I think that wraps up my blog entry on where I am now. Happy to get more enthusiasm and discussion on the episodes. Just experiencing this journey on the path to recovery. Much praise, but again I’d like to hear more of that for the characters and less for myself. This is for them, not just me, and this is for sharing how that experience proceeds with each other. I keep hoping more listeners will understand that.

Peace.

Episode 15, Editing… One Step At A Time

Might as well make another blog entry about how time consuming this creation is for people who probably listen with total aloofness. (I can only speculate on this since barely anyone will talk to me about it.) Why am I so cranky? Well I tend to only get to talk to people who let me down or say cruel things. When I get the rare feedback I’m often told I’ve been doing “professional” work as far as sound-quality, acting, writing, etc. But I’m not getting paid. So for me to mostly deal with invalidation while doing what is often quoted as professional work? Yep! You’re going to get someone who is major peeved most of the time.

My husband left off at episode 11 part two a number of weeks ago so this last weekend we listened to Episode 12, “Dark Therapy” together. He kept pinching bits and fragments of refuse off of the carpet to put into the garbage with a nit-picky nervousness. I just thought, “Hell… if this is what people do when they listen to the audio? Get out a note book and stare at it while you listen, and then write down some comments to send me. Better than getting all antsy.” I thought of this especially when he got up during the episode to peruse the kitchen and then calling out heckles at Tom Jennings. Dude! Save the heckles for Tom Jennings to put in the comment boxes!

DONNIE

Moving around all of that crap in Caleb’s House? Tom Jennings would enjoy receiving your heckles.

So today and yesterday, between fits of temper, I managed to enjoy the hilarious antics of Nicholas Blair and Vampire Angelique playing gin-rummy. I said we wanted to find a redemption for her we could digest, yes? Well, it’s slow going but right now she’s whipping Blair’s butt at gin-rummy and has just won seven games of it in a row. She’s also trying to remember who the hell was talking to her (,it was the ghost of Jeremiah,) when she was dead and what the point of it was. Good Girl!

If this didn’t bust me up so much it would be much harder to edit and get done. I remember doing a performance of this scene for my husband and we pretty much “wet-’em”. Then I’m splicing in lines for Barnabas which are at a higher pitch in performance to try and get Jonathan Frid’s voice more accurate. I really like this change. The Roger lines I’m cringing to pick. Yes, Louis Edmonds would more likely inflect this word in this manner but it’s sooooo hard to let go of the old demo version!

“Cassandra? Really? Seriously? BLONDE?

It was quite husky in the demo which is funnier but not how Roger would say it, so I had to accept the alteration.

I also re-performed Lily Munster’s lines to make them less high-pitched and more accurate to Yvonne DeCarlo’s performance of her. It seems the most difficult thing to decide on when multiple female characters are in the same scene and making sure they’re different enough. I am a woman. My voice is a variance of androgyny, and it really is the female voices that are harder for me. But I hopefully did well on this scene between Lily Dracula Munster and Vampire Angelique.

clean

Lily thought she sensed a kindred vampire around… nope. Vampire Angelique is a bit different, so she’s having a little “chat” with her. 😉

Thank God! The sound effects for this scene are already placed in there from earlier. Oh goodie! Now time to splice in some Roger lines. I remember asking Osheen if she knew enough about Roger and Elizabeth’s parents to get this scene authentic. Osheen expressed her knowledge of their parents and said this scene would work for authenticity. Yay! So here is what Roger Collins deduces about their cousin Lily…

roger

“Hmmnnn… Mother really should have told us more about her side of the family… but then… she did always say that it was complicated. And if it’s more complicated than our lives have been, I don’t blame her for not trying to explain it.”


Not sure if I’ll keep going today. Wish I had some correspondence to attend to, but that’s the update for Episode 15, “A Blundering Succubus”.

Peace.

Episode 15, One Scene A Day Now Becomes 2-3 Characters A Day…

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WADSWORTH: Sir? I’ve made an effort to clean your staring window if you’d like to make use of it.


Thanks Wadsworth. I think the clarity is coming from your astute considerations. As aforesaid, in my 14th intro, I’m now doing many of the voices for this radio play separately. Today I listened intently to Jonathan Frid’s performance of Barnabas Collins. I found various inflections I might have missed. He did go through some trouble to bring those H’s in where A’s were applicable to the standard American speech and I also made a concerted effort not to lower my own voice. Jonathan Frid’s voice deserves higher tones of inflection and if it doesn’t sound male enough I can lower the pitch on sentences or various words. I felt good about that.

For Episode 15: A Blundering Succubus, Barnabas Collins had to swat away The Collinsport Fly (another breaking through the 4th wall which I haven’t done for a while), speak with his beloved Josette through Maggie Evans in Josette’s room, try to determine who Kitty Soames is or was, look with her out the window at Willie and Sarah interacting, take Maggie with him to Elizabeth’s family gathering at the Main House to discover she was going on an extended vacation and then meet with…

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Cousin Lily

Ah, her casual assertions about vampires certainly gave him the willies!

One of the reasons he even goes into that study where Maggie and Lily are having a chat is because of the coffee they are drinking. Elizabeth tempts him:

ELIZABETH: Cousin Barnabas…(pointedly) it’s Borgia.

BARNABAS: Who?

ELIZABETH: The coffee blend… it’s Borgia…

BARNABAS: (snorts) I see! You really wanted to get me in there, didn’t you?

ELIZABETH: Yes…


And? I have tried SO desperately to find out whether or not this might be accurate, either for Barnabas Collins OR Jonathan Frid. I remember there was a Q & A KLS was holding on a website years ago. I tried to ask, “What coffee was his favourite?” De nada! 😛

After that I called our Auntie. I think I’ll save that conversation for another blog post but it was good. She pretty much agreed with me about the laziness and troubles I’d been having. More complex than that, but worth a blog entry I think.

Hecubus can you hear me

I am now going through Sir Simon Milligan and Manservant Hecubus’ lines which I re-performed a few days ago. They seemed fine on the demo but I just felt like I should try it again. If anyone has updated themselves with these guys via youtube you might have noticed I posted appreciation to the lady who made it easier for me. (I believe in saying “thank you”. I do not simply like-click shit. lol!) Currently I’m going through those new lines and seeing which ones make the cut. I am leaving a little extra in via stuff I can’t decide on. So far Hecubus’ old lines are remaining here and there. Mostly it will be the new stuff that stays.

Also was on Skype with Cara Mia over the holiday weekend. I read her the new (actually old) scene with Morticia, Victoria and Grandmama Addams. This was excellent because I have a hard time with the Addams Family and need the help. I want to make sure all the characters are accurate. When I got to a line via Grandmama or Morticia I’d ask, “Does that sound like her or them?”

“Oh, yes! It does!” she would answer. *happy sigh*

Then I reached the end of the scene and said, “That’s it.”

“Oh!” she said, “Okay… hey, wow! That scene was really, incredibly good!”

Morticia and Victoria

Bless you, Cara Mia. Bless you. ❤