Pit Update: December 2017

2017 Dec 1d

 

My personal break away from drug-like social media sites; two in particular. My own upbringing in digesting fiction with the help of others. How people are looking for companionship to enjoy films and television shows with.

Thanking pen pals and explaining what happened to those of you that “ran away screaming”. Living a recorded-life. The detriment of the like-button on the human race.

Troubles in the bad behaviour toward myself as your entertainer (and the rare good). Unceremonious responses to the May 2016 podcast.

News on grassroots for Episode 17. Talk on future Pit episodes 18 and 19. “My Scrapbook Memories of Dark Shadows” by Kathryn Leigh Scott and how it can help all listeners whether or not they know Dark Shadows. Fun stuff!

Upcoming influences to The Pit with: Dark Shadows, Rocky Horror Picture Show, Diablos Café, The Ghost and Mrs. Muir personal marathon and the curiosity of Captain Gregg’s hair. The Addams Family and suggestion of “The Addams Family: An Evilution”, comparisons with The Munsters, as well as back history from that and Bewitched.

Included are the comparisons to various substance abuses, addictions and social media. Another discussion of social network schemes severely disturbing our lives and how the correspondence skills were drained by too much sheltering and the overuse of snark.

Wishing you Happy Holidays, why, and a Very Merry Solstice to Angelique Bouchard.


 

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If you see this in the WP reader and enjoy it please leave a comment. (If you use the “like” I will have no idea who you are or what the deal is. Thanks.)

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A Relieving Return to Script-Writing

That title looks grand doesn’t it? Wouldn’t it be nice to believe that all our troubles were over? Alas, there are wounds. I have photo albums filled with once marvellous friends and relations that I may never hear from again due to them having sold their souls to device technology and social media. Wounds as such cannot fade. Time can heal but this grief is an entirely new phenomenon. The uncertainty of repair is staggering and loud. The change in human behaviour to something so close to the docile Eloi of “The Time Machine” is horrific.

Good people come forward, though. They are new friends and companions, people fed-up with what’s happened. We share this bond with each other. My woes are their woes. There is still that little denial of, “It’s not so bad,” but that denial has receded greatly in this year, 2017. We know it is all very, very bad, indeed.

And yet… shades of delightful 20th Century habits come back to us. Selecting real books to enjoy, real albums to play, true conversation in person and on paper. Recipes to cook, scrubbing to be done. Dishes to be washed. Clothing to be picked out for the weather of the week to come. The seasons remind us that we are of The Earth and of The Heavens.


 

As I sit at my desk and stare into Morning Glory Circle on Bewitched, with two characters from Maine about to knock upon The Stephens door, a wonderful thing finally occurs: The characters let me know what they likely would say to each other. Samantha Stephens is being introduced to Sam Evans of Collinsport and Captain Daniel Gregg of Schooner Bay, at long last.

Samantha

It isn’t coming out as I expected either! I predicted it would get very silly, and Endora’s arrival might have Captain Gregg hiding behind Sam in fear. The thing is Captain Gregg doesn’t really behave that way when set in motion to face a potential adversary, even if that adversary has put him through dire straits as Endora did previously in The Pit of Ultimate Dark Shadows. And so far Samantha hasn’t scolded Endora for what she did, but I feel that ought to be in there somewhere, really. (Besides, I am itching to do an Elizabeth Montgomery impression of, “Mother!”)

A book on sea-faring language, that Osheen once suggested, has come in quite handy. I had a little trouble with what Gregg would say until I opened that up. I still have to determine where Tabitha might be, but I notice they don’t always worry about that on Bewitched so maybe it doesn’t matter. (This is a rough-draft, afterall.)

Looking at the word count now I still have plenty of room. Scenes are already mapped out for Chris Jennings, Amy Jennings, Hoffman, Stokes, and later on it appears that bypassing Mr. Wells death and allowing him to live will be easier than I thought. In fact, I found him barricading the door for Chris rather than simply locking it from the outside. After The Blairs staying in Room 13? Mr. Wells is done with being curious about noise. He just wants there not to be any.

 

Vic and Mor 1

That leaves us in wondering what to do with The Addams Family, Victoria Winters and Peter Bradford. Some ideas are there. I’ve made a list of pastimes The Addams Family engage in and I must say, it’s longer than the list of odd recipes they’ve mentioned.

I know that for Victoria there will be further exercises in her powers, but that doesn’t mean she can’t just enjoy herself in a new home she’s almost gotten used to. An interest in history is even there if Wednesday’s dolls have anything to do with it. I smell a rapport happening between those two.

The main thing is finding the discussion between Victoria, Peter and The Addams Family. There is a slice-of-life element to The Addams Family that I didn’t notice before, but it was the more Gothic type I’d been rather wanting for so long. Having a problem to solve needn’t be necessary at all. It’s a staple of television shows but The Addams Family always operate so differently. A great deal of the show itself is often hanging out or goofing off. Whatever problems that come usually take a long time to be solved as they are so busy with all of their hobbies, pets, and basic housekeeping.

So far The Pit scenes I have for The Addams Family have been quite reflective. There was the great cliff-hanger in Episode 13 with, “We need you, Grandmama. It’s Victoria! …She has the gift!” And that got identified in Episode 15 with spell work, as Grandmama stared aghast at Reverend Trask’s stark image via Victoria’s memories projected on vapour. It mayn’t have been due to Grandmama having any aversion to a widow’s peak hairstyle, but the severity of Trask’s widow’s peak can rather blow all of our minds, can’t it?

For Episode 18 I am doubtful any new spell work with Victoria will take place. Perhaps some chat of doing more whilst playing a game of some kind. I still haven’t gotten a spot where Peter is enjoying the delights of Gomez and his trains. There is also Peter Bradford being Peter Bradford in official documents. With either man having practised law, however antiquated like Peter, or out-of-step like Gomez, I’m sure they could devise some method in which they fulfil that requirement neatly enough.

But will Victoria take the name of Bradford? Not yet. I wager she will eventually after discovering enough about her own history and her parents. But she started this life as a Winters and shall continue being one for sometime, married or not.


 

Still, I remain puzzled at what happened with Dark Shadows fans for so many decades that they wanted more horror, twisted troubles, and bizarre romantic pairings in the fanfiction all this time. Were libraries with bummer books and ghastly stories always out of reach? Did the wealth of horror movies not suffice? Perhaps it was a lack of having the program to enjoy that made them want to write down what happened so they could enjoy it that way, and then got caught up in altering it in random directions? Did Roger Corman’s films have anything to do with it?

I’m fine with creativity,  or getting wacky, heck, after I watched “200 Motels” a la Frank Zappa? It was pretty clear anything goes in some areas of entertainment. But Dark Shadows is huge on its own. So huge I’m not sure I’d want to repeat the entire thing over and over again. So with the fanwork I have to wonder if something happened to these fans. Too many drugs in the 1970’s? Sadness that the show ended and re-runs were unheard of at the time? Bafflement at Sam Hall’s wrap-up? (I just listened to Roger Davis read it and shrugged, myself.) I can’t imagine that life was so comfortable that they were in want of more drama. The puzzle remains for me.

 


 

As time goes on, I do want to do more for our Old House couple and family in the pages of “Margaret Josette Dupres”. But discussion of it is necessary and the practice of discussion itself is low. There is only so much I can do for Barnabas and Maggie’s marriage details as it’s based on Dark Shadows which is finished, and The Pit of Ultimate Dark Shadows which is not.

When a waitress is on holiday might Maggie fill in at The Coffee Shop just for kicks? Sarah and Caleb as children shan’t be a thorn-free bed of roses. Caleb has become a witch’s son after all. Will Barnabas finally get comfortable with being a vampire who is less affected by sunlight? (I have my doubts.) The only surety is the love never fades. What to do on a daily basis with that love? That’s the question. ❤

Of course, as has been very usual, people will listen to me asking for the discussion on the novel during the podcasts, or read this log entry where I explain the practicality of discussion, and rather than send an email or telephone me about it? They will blink and wonder why no one else is doing so. Time has become less of a worry with this new technology. What has really been lost with it is the art of conversation.

Cat’s got your tongue, as they say.

Looks like this time, she’s kept it, too. 😉

Pit Update: July 2017 And Retrospective

2017 July Retrospective

 

 

Why pen pals work and social media wastes time. Incorporating “Bewitched” into Episode 18. Social network history. Two books by Nicholas Carr.

Episode 12: Tons on regression therapy for Maggie Evans, music used. Healing Barnabas & Carolyn scene. Captain Gregg helping Sam Evans. Dr. Hoffman’s place in everything. Pivotal point with Lily Munster, Elizabeth and Tom Jennings. Milligan & Hecubus fun.

Episode 13: Purpose of dedication to Kathryn Leigh Scott and importance of her contributions and characters in Dark Shadows. My falling into the Julia/Barnabas trap and how a Julia/Barnabas fan, Helena Clara Bouchet, helped to pull me out of it. Incorporating much more “Clue” with Willie & Wadsworth, and the topic of Willie Loomis in general. Caleb Collins meeting with Lily and Elizabeth.

Why the Morticia scene with Victoria turned out the way that it did. Final scene with car race in construction between my occupations in vision therapy. (Osheen Nevoy’s response to the scene.) How music was chosen throughout podcast: Ennio Morricone, Verne Langdon, Stoa, Claudine Longet.

Better methods in communication, and how to make requests for potential MJD podcast, etc. All methods of which have been available since the 20th Century.

Theme song for this podcast: “All Night Long” by Peter Murphy (1988)

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Downloadable from iTunes, as always…


 

(Yes, this podcast is two hours long, which means very few people have time for it because Heaven knows our newsfeed scrolling and clicking is, by far, a superior activity of higher importance.)

Pit Update: May 2017 & Retrospective

2017 May Update 1f

Thanking pen pals for helping me to heal, explaining why that is important and discussing how the happy buttons ruined upbeat discourse in people over the years.

Plenty of lively assertions in why beating around the bush about having “no time” to chit-chat is ridiculous, particularly in regards to over-use of social media. Lackadaisical listings of informational resources that have been important in creating the series which might help listeners.

Presentation of where and how The Pit discussion questions are displayed, and why they are important for this fairly cerebral programming.

Starting retrospective from Episode 1: “Parapsychology” and on through Episode 7: “The Blair Warlock Projected”, with whatever nuances I felt were fun to point out at the time of this recording, including a few perspectives via reviews, different TV show and movie introductions per episode, technical aspects and inspirations. When the Barnabas and Maggie couple suddenly mattered so much and how performing the role of Barnabas Collins changed things irrevocably.

Finally, description about this experience for you and I, along with the details of why what’s happened with misinterpretation of myself, this project, and the expectations of what the internet is, has been detrimental to all involved, and how to break free from those ideas. For listeners using social media who disavow having an addiction? Too late: You’ve got one.

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Downloadable from iTunes, as always...

Pit Update January 2017

2017-jan-update

 

Explaining the long wait for Episode 17. In this you can hear my laryngitis.  In between rambles we have various details of events planned for Episode 17 and how channeling Beetlejuice affects me.

Studying with friends; Osheen and Lisa mentioned the most. Personal reflections and sad apologies to “Everyone”: fans, cast members, social network users. Possible reasons why the new technology is driving us all koo-koo. (Also some comparisons to Star Trek.)

Lots of fun insights about various characters and the deeper lesson Barnabas Collins teaches us from his own personal behaviour: Accountability.

Further updates with the marriage novel side-project, as well as the supernatural elements, including reincarnation.

Various interruptions were left in the update to allow a more human feeling.

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Also available on iTunes

Pit Update November 2016

nov-2016n

 

A calm, fireside chat update for fans of The Pit. Delving into The Munsters, there is some discussion about type-casting, both for Fred Gwynne and Jonathan Frid especially. Reasons to celebrate the allure of Barnabas Collins rather than being offended by his romantic choices. How fans of the Barnabas/Maggie pairing are preferable to me and to each other. Touches on the mythos of The Vampire through Barnabas and Josette’s romance.

The general vibe seen from fans of The Addams Family as well as The Ghost and Mrs. Muir. A welcoming to more fans of Wadsworth and the film “Clue” due to how The Pit operates in lines and actions. Discussion of game play for the boardgame of “Clue” as well as classic games in “The Pit”.

More expression of exactly why file-sharing and buck-passing didn’t work and why we all thought it would for discussion. Welcoming fans of M*A*S*H and Beetlejuice as well as relieving any concern over the romantic pairings for this program.

Explanation of the human need to break-free from what social-media does to many people, and how to tap back into focus for more healthy interaction. Dismissal of the idea computers are no longer being made. Rekindling old face-to-face friendships, however few.

Most importantly: the joy in our own lives as a blessing in return for providing an atmosphere of love to characters on the screen who didn’t have it before.

Pit Update November 2016 (podomatic link)

Pit Update November 2016 (podbay link)

Pit Update November 2016 (archive.org link)

Also available on iTunes


Background music for this podcast:

“November Spawned A Monster” – Morrissey (1990)

“Anabasis” – Dead Can Dance (2012)

“Sh-Boom” – The Crew-Cuts (1954)

“The Human Game” – Lisa Gerrard & Pieter Bourke (1998)