Dark Shadows Episode 165! We watched it last night and I was applauding!
Consulting the Bewitched ladies, Samantha and Endora (in my imagination) for Episode24 in The Pit of Ultimate Dark Shadows… It began returning to me; the 1897 show down between Angelique and Laura. But earlier in the actual series, in the 1960’s, who was Laura’s supernatural opponent?
The Ghost of Josette Collins! Woo-hoo!
I’d only gone through The First Year of Dark Shadows once or twice, so I couldn’t recall all the details and wasn’t sure how many I’d need.
In this particular episode, 165, Laura has David spending the night at the cottage, but she senses Josette’s spirit is trying to protect David and Laura tells her, calls her by name, that Josette needs to leave and David is hers.
So from here and the eventual 1897 show down in Dark Shadows (episode 760) Josette and Angelique share this challenge at different points in time.
Of course it is far more subtle in The First Year due to caution of even producing a show like this for the first time, but there we have it!
I wasn’t entirely certain, but now I am. HUZZAH!
More fun evidence is always reassuring, and of course Josette manages things more subtly most of the time. Hence we don’t notice her as strongly, but she is there, she surely is. ❤
With Sam being so disturbed at the painting he creates of Laura Collins, somehow Victoria is compelled to request it and, after some endless arguments about nothing, Sam allows her to take it.
Frankly, I think it looks kinda sexy! Hee hee hee!
Victoria takes it back to Collinwood. Our David is swiftly enamoured with the painting as it represents his dream of Laura when she arrived. Laura, herself, is upset and distressed but still agrees to let David have it after asking Miss Winters for it. (More endless arguing ensues.)
I, myself, am in total agreement with David. It is, as he says, “cool”. Not to mention she’s got WINGS in the darn thing! I strongly felt that should have been David’s argument about the painting, “Dude, Mom, you have wings in it!”
(Perhaps someone dropped a tab in Pop’s whiskey?)
David gets the painting hung up in his room and says he could “watch it all day”. I can see where he’s coming from. It rather looks as if it’s animated.
Of course, Sam returns home happy as heck the canvas is gone and then in another state of possession begins forming a new one… (Which reminds me that I managed very naturally with his character in The Pit… The man is clearly psychic.)
But the highest delight of this episode? David Collins rests, almost peacefully, in the bliss of his mother’s psychedelic picture hanging in his room and…
The portrait begins glowing…
And Laura’s head appears to be glowing…
Until it seems to encompass the entirety of the room to David’s understandable horror.
[Commence Daryl writhing with hysterical laughter in the recliner to her husband’s great amusement.]
Forget Barnabas, people.
Laura Collins is a force to be reckoned with here.
Then the interview with Diana Millay on the same disk will kick your butt even more resolutely. She is a Phoenix, she even claims it, and she has no fear of the “R-word”. (Reincarnation.)
Fill as much virtual space as you want with deceptions and misguidance about Dark Shadows. Try!
For you shall never exceed the size of Laura Collins’ IMAX head!
We just watched episodes 140 + 141 and very much enjoyed them!
As many fans of “Dark Shadows” realise, and have a clear understanding of, this is a BIG place, REALLY big. The estate itself is rather huge to the point we’re not sure how darn many houses and dwellings are actually on it, yes?
Or here is a clearer, in-colour version:
And that’s simply The Great House, by itself.
Where do they have dinner in this hugely, vastly, mind-bogglingly massive home?
WTF?How does this make sense? This is where the STAFF has dinner, not the residents!
Anyone out there still wondering why I incorporate so much humour into my “Dark Shadows” themed show?
(It’s kind of hard not to…)
Anyway, I highly recommend these two episodes of “Dark Shadows”… and if anyone can explain the miniscule dinner arrangements, I’d love to know.
I’m still working on new material, but I’m also reveling in the joy of letter-writing once more. It’s home to me and much of this web-log shows that very easily. The entries are often as though I am writing letters to the known and unknown people reading it.
I’m putting together another retrospective for June of 2017. It’s turning out to be very long. I’m not really worried about that because there are some podcasts out there I have listened to over the years that can reach up to 2-3 hours in length. This one I am creating shouldn’t be that long, but I’m not worried about the length because, from what I’ve gathered, a lot of people online like to waste time which means they have plenty of time to spend on something worth listening to, even if they have to pause and come back later to hear it.
Meanwhile I’m viewing the First Year of Dark Shadows. My husband and I were still in the Bill Malloy area for Memorial Day Weekend. In the earlier part that still shows Bill Malloy alive, Carolyn Stoddard meets Burke Devlin at The Collinsport Inn coffee shop to see Burke reading a book. I made a joke that, since Burke Devlin’s initial story is based on an Alexander Dumas tale, that he was reading “The Count of Monte Cristo”.
As it turned out the book Burke Devlin was reading was:
I sure burst out laughing. I had to explain a bit of why, and how my joke was spot-on, to my sweetheart.
I believe the writers might have wanted to educate the audience about what they were viewing. If that sunk in with anyone, who knows?
On my own I am going through the introduction of Laura Murdoch Collins. It’s an absolute gas! The metaphors are so blatant they have her hailing from Phoenix, Arizona, and people are lighting matches and staring into them intently.
For my Laura time period viewing there is a lot of soapy silliness. Burke getting a big smooch from Carolyn and then wandering over to the Morgan cottage to try the same thing with Laura. Roger bursting in with a shotgun and staking some claim while Laura complains they are behaving like they did ten years ago.
I don’t why but I really like this Laura Collins! She’s got horrible intentions, I know, I know. But she isn’t blustering around with a rifle and screaming at people. She was also averse to Burke’s wooing and rightly so. The dude’s already courting another blonde in the family. Gross!
But then we have this lovely morning with Victoria Winters and Mrs. Collins. Something about it is pleasant and agreeable.
Miss Winters tells David’s mother how she finds David to be sensitive and more intelligent than most children. Laura’s motherly appeal looks genuine. I know… it’s probably nothing near that, I know, but the sense of, well… warmth, without exactly meaning to make a pun of these things, is right there. (happy smile)
And I got some goodies about Laura being in a sanatorium holding on to the locket Roger gave her on their wedding night, which is a family heirloom and contains a lock of David’s baby hair. Many significant details of the outside world to get her through her time of mental duress.
Plenty of lovely scenes at the Evans Cottage which is absolutely wonderful considering how much I care about Sam and Maggie, scary painting possessing Sam or not. ❤
Also various empty moments witnessing a telephone ringing in a vacant room as Sheriff Patterson desperately dials numbers from a phone booth. Funniest bit was Roger and Burke going machismo at each other in The Blue Whale as Sam gets to be the intimate audience to the whole male-posturing scenario, which Carolyn later interrupts in her breezy way. Sam ends the evening to leave by saying, “I think I’ve filled my quota…” No kidding, Pop! XD
But for the serious, the upcoming podcast will break down what’s up with me, going through a few more old episodes of The Pit and various means of putting it together, similar to the last retrospective but with more details as the episodes increased in length.
Moreover, the understanding that my addressing the internet and 21st century gadgets creating flawed faculties in society at large has always been important. All the arguing over the years at me to share my very hard work without feedback was extremely nonsensical, while encouraging depletion of social skills and wherewithal.
There are so many things that have happened that I did not condone and, in good conscious, I never can approve of. If society at large is regressing into laziness and grade school mentality, while many still harness the angst of adolescence and adulthood, there is nothing to encourage about that. It is like training people to become autistic and we have enough work to do with people who are already born autistic. A brother of mine has autism and is low-functioning. He was born that way. It is not a condition that is easy to handle or care for. It is a full and overtime job. I do not wish this disability for anyone and I am against allowing others to sink into such a state by environment.
Whatever disabilities one might have should not exist as an excuse but a challenge. One might consider me disabled because I do not drive. However, I live with that challenge on a daily basis and am extremely grateful when I receive the help of transportation that I cannot provide for myself.
Has anyone questioned if I was given the proper guidance and instruction to reach that form of “independence”? Do drivers recall how very much it takes to gain that freedom so many adhere as a duty instead? Many people are involved in that privilege for an individual to become a licensed driver. No one person becomes a motorist on their own. It takes community and several exhausting hoops to jump through.
Attempting to become a driver myself taught me something very important, indeed.
Independence is very often an illusion. Human beings are dependent on each other.
There is no getting around this obvious fact of our lives.