Why pen pals work and social media wastes time. Incorporating “Bewitched” into Episode 18. Social network history. Two books by Nicholas Carr.
Episode 12: Tons on regression therapy for Maggie Evans, music used. Healing Barnabas & Carolyn scene. Captain Gregg helping Sam Evans. Dr. Hoffman’s place in everything. Pivotal point with Lily Munster, Elizabeth and Tom Jennings. Milligan & Hecubus fun.
Episode 13: Purpose of dedication to Kathryn Leigh Scott and importance of her contributions and characters in Dark Shadows. My falling into the Julia/Barnabas trap and how a Julia/Barnabas fan, Helena Clara Bouchet, helped to pull me out of it. Incorporating much more “Clue” with Willie & Wadsworth, and the topic of Willie Loomis in general. Caleb Collins meeting with Lily and Elizabeth.
Why the Morticia scene with Victoria turned out the way that it did. Final scene with car race in construction between my occupations in vision therapy. (Osheen Nevoy’s response to the scene.) How music was chosen throughout podcast: Ennio Morricone, Verne Langdon, Stoa, Claudine Longet.
Better methods in communication, and how to make requests for potential MJD podcast, etc. All methods of which have been available since the 20th Century.
Theme song for this podcast: “All Night Long” by Peter Murphy (1988)
Talk about social media addiction with its ensuing paranoia. Continual gratitude to pen pals and describing their beautiful influence in my life. (I welcome more!)
Why and how constructive praise is important. The fun of watching First Year Dark Shadows. A little chat over 16 & 17 – Retrospective for episodes 8, 9, 10, and both parts of 11. Fair delving into characters from The Ghost and Mrs. Muir, The Addams Family, The Munsters, and Bewitched in The Pit; particularly Captain Gregg’s stormy weather – story building as well as technical aspects.
The fleshing out of Caleb Collins as based on evidence from the original Dark Shadows program and historical research in the Victorian time period.
Discussion on the marriage novel, “Margaret Josette Dupres” and delving into why the sharing of further chapters are (currently) suspended.
Welcome To The 21st Century – What A Disappointment.
I’m still working on new material, but I’m also reveling in the joy of letter-writing once more. It’s home to me and much of this web-log shows that very easily. The entries are often as though I am writing letters to the known and unknown people reading it.
I’m putting together another retrospective for June of 2017. It’s turning out to be very long. I’m not really worried about that because there are some podcasts out there I have listened to over the years that can reach up to 2-3 hours in length. This one I am creating shouldn’t be that long, but I’m not worried about the length because, from what I’ve gathered, a lot of people online like to waste time which means they have plenty of time to spend on something worth listening to, even if they have to pause and come back later to hear it.
Meanwhile I’m viewing the First Year of Dark Shadows. My husband and I were still in the Bill Malloy area for Memorial Day Weekend. In the earlier part that still shows Bill Malloy alive, Carolyn Stoddard meets Burke Devlin at The Collinsport Inn coffee shop to see Burke reading a book. I made a joke that, since Burke Devlin’s initial story is based on an Alexander Dumas tale, that he was reading “The Count of Monte Cristo”.
As it turned out the book Burke Devlin was reading was:
I sure burst out laughing. I had to explain a bit of why, and how my joke was spot-on, to my sweetheart.
I believe the writers might have wanted to educate the audience about what they were viewing. If that sunk in with anyone, who knows?
On my own I am going through the introduction of Laura Murdoch Collins. It’s an absolute gas! The metaphors are so blatant they have her hailing from Phoenix, Arizona, and people are lighting matches and staring into them intently.
For my Laura time period viewing there is a lot of soapy silliness. Burke getting a big smooch from Carolyn and then wandering over to the Morgan cottage to try the same thing with Laura. Roger bursting in with a shotgun and staking some claim while Laura complains they are behaving like they did ten years ago.
I don’t why but I really like this Laura Collins! She’s got horrible intentions, I know, I know. But she isn’t blustering around with a rifle and screaming at people. She was also averse to Burke’s wooing and rightly so. The dude’s already courting another blonde in the family. Gross!
But then we have this lovely morning with Victoria Winters and Mrs. Collins. Something about it is pleasant and agreeable.
Miss Winters tells David’s mother how she finds David to be sensitive and more intelligent than most children. Laura’s motherly appeal looks genuine. I know… it’s probably nothing near that, I know, but the sense of, well… warmth, without exactly meaning to make a pun of these things, is right there. (happy smile)
And I got some goodies about Laura being in a sanatorium holding on to the locket Roger gave her on their wedding night, which is a family heirloom and contains a lock of David’s baby hair. Many significant details of the outside world to get her through her time of mental duress.
Plenty of lovely scenes at the Evans Cottage which is absolutely wonderful considering how much I care about Sam and Maggie, scary painting possessing Sam or not. ❤
Also various empty moments witnessing a telephone ringing in a vacant room as Sheriff Patterson desperately dials numbers from a phone booth. Funniest bit was Roger and Burke going machismo at each other in The Blue Whale as Sam gets to be the intimate audience to the whole male-posturing scenario, which Carolyn later interrupts in her breezy way. Sam ends the evening to leave by saying, “I think I’ve filled my quota…” No kidding, Pop! XD
But for the serious, the upcoming podcast will break down what’s up with me, going through a few more old episodes of The Pit and various means of putting it together, similar to the last retrospective but with more details as the episodes increased in length.
Moreover, the understanding that my addressing the internet and 21st century gadgets creating flawed faculties in society at large has always been important. All the arguing over the years at me to share my very hard work without feedback was extremely nonsensical, while encouraging depletion of social skills and wherewithal.
There are so many things that have happened that I did not condone and, in good conscious, I never can approve of. If society at large is regressing into laziness and grade school mentality, while many still harness the angst of adolescence and adulthood, there is nothing to encourage about that. It is like training people to become autistic and we have enough work to do with people who are already born autistic. A brother of mine has autism and is low-functioning. He was born that way. It is not a condition that is easy to handle or care for. It is a full and overtime job. I do not wish this disability for anyone and I am against allowing others to sink into such a state by environment.
Whatever disabilities one might have should not exist as an excuse but a challenge. One might consider me disabled because I do not drive. However, I live with that challenge on a daily basis and am extremely grateful when I receive the help of transportation that I cannot provide for myself.
Has anyone questioned if I was given the proper guidance and instruction to reach that form of “independence”? Do drivers recall how very much it takes to gain that freedom so many adhere as a duty instead? Many people are involved in that privilege for an individual to become a licensed driver. No one person becomes a motorist on their own. It takes community and several exhausting hoops to jump through.
Attempting to become a driver myself taught me something very important, indeed.
Independence is very often an illusion. Human beings are dependent on each other.
There is no getting around this obvious fact of our lives.
Thanking pen pals for helping me to heal, explaining why that is important and discussing how the happy buttons ruined upbeat discourse in people over the years.
Plenty of lively assertions in why beating around the bush about having “no time” to chit-chat is ridiculous, particularly in regards to over-use of social media. Lackadaisical listings of informational resources that have been important in creating the series which might help listeners.
Presentation of where and how The Pit discussion questions are displayed, and why they are important for this fairly cerebral programming.
Starting retrospective from Episode 1: “Parapsychology” and on through Episode 7: “The Blair Warlock Projected”, with whatever nuances I felt were fun to point out at the time of this recording, including a few perspectives via reviews, different TV show and movie introductions per episode, technical aspects and inspirations. When the Barnabas and Maggie couple suddenly mattered so much and how performing the role of Barnabas Collins changed things irrevocably.
Finally, description about this experience for you and I, along with the details of why what’s happened with misinterpretation of myself, this project, and the expectations of what the internet is, has been detrimental to all involved, and how to break free from those ideas. For listeners using social media who disavow having an addiction? Too late: You’ve got one.
As I work on another May Update podcast and retrospective, in the year 2017, tonight’s offering is for those who await more in the romance of our beloved couple, Barnabas and Maggie (Josette).
This chapter finds a calmer pair as they have learned to live in a world where so many desires are granted, their child continues to grow, and their love blossoms with the same exquisite wonder many readers have journeyed before.
As good book lovers understand, music is a staple in the forming of storytelling and currently my playlist to inspire this novel is approximately 300 selections strong. For this chapter I’ve gravitated in shuffle from Artesia and Narsilion, but mainly I’d like to stress the comfort in a new artist I’ve discovered: Ludovico Einaudi. He composes classical music in our modern times and I listened to a great deal of his soothing structure while this chapter fed out from my skills.
For our couple comes many meditations in present and past experiences, as well as the understanding that their lives have ceased to behold the constant worry they once knew. The desperation is lowered but the adoration for each other is still high. Mainly it is only the two of them, but the end of the chapter includes our beloved butler, Wadsworth, and his old employee, Willie Loomis.
Please hit the link above if you would like to read.
(Post Script: New pen pals might want to dismiss this for now. It’s a long way down the road from the radio drama. Thanks.)
Just picked up the mail and I am reveling in the fun of it! My stationery horde is dwindling and I’m discovering people who like to savour The Pit as it was meant to be savoured. Hallelujah!
Today I opened this delightful missive which says, “I’m glad that we’re pen friends! You’re the only pen friend I have who sends murder mystery parties with your letters, and I can attend these parties in my PJs!! Woo hoo!”
She also sent some very fun ticket stickers which read: “Admit One”. I am actually trying to get rid of all my crazy stickers but when I saw hers on the back of her envelope I suddenly desired stickers like that. Then? Inside the envelope she had included eighteen of them for me! It was this way of expressing that my show ought to be sent with those tickets as that signifies the theater feeling The Pit brings. What a bloody JOY! Weeeeeeeeeeeeeeeeeeeeeeeeee!!!
Another pal drives frequently so the CD version of The Pit episodes are perfect for her long hauls. It’s funny because I often anticipated truckers would enjoy The Pit but I’ve yet to hear from any of them. Hopefully this was never due to Maggie expressing a bit of distaste to Barnabas in Episode 10 with,
“Oh, Barnabas, you’ve obviously never encountered a collection of all-night truck drivers swapping suggestive tales over their greasy breakfast plates.”
But who knows?
There are a few listeners of The Pit who don’t quite pick up the knack of the discussion questions as being guidelines to expressing what they enjoy per scene. That’s okay, though. The method that we once had to express our delight and the fun in our entertainment is very much more the “dying art” than letter-writing ever was or has been.
While it became extremely trendy to Hate-On so much in our abundance, the enjoyment of discussing what we were entertained by took a serious nose-dive when we were offered the alternative thumbs-up buttons. There are now even pesky hearts on youtube and iTunes to degrade our faculties even further. If there was an app for making these happy-buttons disappear I would consider PAYING for it. Monthly! (I already enjoy advertisement blockers on my equipment so I have little idea what kind of scary billboard world a great deal of my online audience is being suffocated with. 😦 )
The other difficulty we currently face is having too much choice. I’m immune to that being difficult as I already pruned my needs in the last twenty years. Even before the internet I had far too much thrown in my direction that I could never understand why I just had to like. Another reason I live on Devo’s “Freedom of Choice” song; All around me are people who really do want “Freedom FROM Choice”. It’s not a matter of a good lead to something they would naturally be interested in, but just floating through life waiting for others to send them in whatever direction another wishes them to go.
That became the worse problem imaginable as my audio entertainment was finally noticed and suddenly I had to see the same style of Dark Shadows fanfiction I was tired of reading and trying to avoid. My work, articles, and podcasts made it extremely clear what my interests and goals were in that department. Then, rather than find the specific niche audience I was looking for, it was the bummer-city, cliché types coming forward with precisely what I spent five years finding and did not enjoy at all. It’s as if most the online world is so flabbergasted with too much information that listening to a person or a fictional character is well-nigh impossible for them to do.
This is why correspondence, and the skill of it, is so important. It slows us down to start digesting information at our own human pace. This works because human beings are what we are, regardless of how desperate we seem to be to become The Borg or TheCybermen instead. It’s also exactly why we attained creations such as The Borg and TheCybermen in our storytelling: It’s a warning of things that could very much happen to us in the future. (Or right now.)
As for Episode 17 in The Pit of Ultimate Dark Shadows, whose current title is “A Bio-Exorcist Comes To Collinwood”, I am working on the audio, yes, but I am also taking my time with the pen pals and letter-writing to heal myself back to being a better person. I’m often thanking each and every individual that I write to for helping me with this, even when they are so grateful to me for giving them the gift of my episodes. For me it’s a shared process and precisely how I always wanted to do all of this. “Go Online” wasn’t the worst option for me, it was the obvious one. But the human touch of going online was losing ground and I didn’t know that. Nobody seemed to know it, but they definitely defended it, that’s for sure. (It’s much easier to be dismissive, isn’t it?)
The audio itself is grueling and my format from doing voice performances back and forth in one go has shifted toward doing each voice separately. Doing that slows down the creation time. But this is a technique that most audio dramas are created by, having each performer in separate cubicles with a script and a headset, so it makes sense to switch to get each character’s voice better. I’m also finding that using a more caricature performance is as important as the accuracy in their speech patterns. The caricature voice differentiates who is speaking more easily so that it’s less likely a listener will lose track of which character is saying what. However, our too-friendly bio-exorcist is pretty damned easy to spot. Ha ha ha!
The romance is sparking for our three couples now, Barnabas & Maggie, Tony & Carolyn, and Julia & Eliot. I really love how Elizabeth and Barnabas were running things at this point in the original Dark Shadows, but with Elizabeth on her voyage to England for my show, I’ve had to move away from that and am irked for a solution as to who will invite Amy Jennings to stay at Collinwood, eventually. *sigh* I thought, “Well, I could find some hilarious, sarcastic way that Roger would be encountering her instead and deciding, ‘Why the hell not?’” But that didn’t give me much enthusiasm.
The great answer came last night… Carolyn & Tony! Or it could just be Carolyn, or heck, Carolyn AND Carolyn, Stoddard & Muir. Who knows? But in any case I finally hit on how to keep Tony Peterson and Carolyn Stoddard’s romance alive: Do exactly what was done before. Have them solve problems together! In The Pit that is what reignited their romance, which is similar in many couples both fictional and real. (That kissing you hear in The Pit for these couples is obviously not me smooching my arm! That is me and my own sweetie. He’s been shy about it, but hey, he’s getting kissed! He’s not going to say no to me for that offer. 😉 )
So, for those who aren’t writing to me on paper or via email, there is a big reason my online activity has dwindled. I have returned to pen pals and am enjoying it immensely.
No happy-buttons or flinging of links is going to get any of us more of the work and it never did before. Correspondence and discussion about the show(s) is what makes that happen and always did. When I receive insight and feedback from a listener I get to their responses a whole lot faster because this is my passion and my calling. But there are some pen pals who have no interest and that is also fine by me. They keep me company with other interactive details about life in general. That’s healthy and very healing all around. (People writing to me by email, private message, or even postal mail, who love the work but avoid the topic keeps me more at bay with them. This should be a surprise to no one. And really, why would it be?)
I do have a potential“Pit Update April 2017” started but I’m hoping I won’t have to create and release it. I prefer getting to the actual work. And strangely enough it is the quiet discussions of the characters on the demo and in the “editing room” that rivets me more than that fight scene everyone is waiting for! Maggie and Sam with their awesome percolator, Tony and Carolyn going for a drive, Dr. Hoffman and Professor Stokes having a quiet, studious discussion with romance interlaced, while Lily and Elizabeth enjoy the delights of mingling on board the RMS Queen Elizabeth ship. Those happier scenes are what keep me going.
I’m also working on the script for Episode # 18, “Braving The Waters” but that will take more Ghost and Mrs. Muir and Bewitched studying, of course. Chris Jennings may make his first appearance and there is fun already planned for that, similar to on the original Dark Shadows but much more humourous. Hee hee hee! Bill Malloy’s ghost should encounter Lily and Elizabeth. Lily can have tons of fun with Bill. I really like Lily as this cousin to dissuade Elizabeth needing to fear ghosts and the like, and Melissa has told me how wonderful it is for Elizabeth to finally have a girlfriend to pal around with, “She just never had that on the original show. This is really good for her!”
When we discussed it over the phone neither of us could quite figure out which of the two of them is “the straight man” in the relationship as that role sort of bounces back and forth between Elizabeth Stoddard and Lily Munster. Elizabeth shrugs at any clues that Lily is a daylight-walking vampire with even odder family members, and Lily doesn’t seem to notice Elizabeth being far more mundane than Munster, since to her Munster is mundane.
Another great thing is keeping Sam Evans alive and stretching out his weird psychic trips from his DS: First Year characteristics into being a reincarnation of Andre du Pres. This helps in the extreme with Maggie Evans processing her own reincarnation experiences.
If they had aimed to pull it off on Dark Shadows, which is what I saw them reaching toward, I’m not sure how Maggie could have handled that on her own. Her father, Sam, is the perfect bolster for that, especially if he’s already going through it himself. So in sorting out the main reason I started all of this, it ends up being a wonderful help in solving a lot of other dilemmas I might have faced if that wasn’t the reason I began.
My struggles with Willie Loomis have reached that safer harbour with him now as Wadsworth’s presence has helped to calm him down and I am very much looking forward to healing right along with him. His history is a mystery and should mostly remain so as it did on Dark Shadows. The main point with him is growth and learning better battles to pick, even if some are merely with his pen. Now that I have pen pals by snail mail I can practice my own calligraphy a bit more. ❤
As for the marriage novel, I’m still working on the next chapter which will be quite romantic. (And *cough* “adult”.) Their exploration of old memories will drift through, and I might add a card game in it rather than ending it with them planning to play one. It takes a lot out of me to go into Barnabas-mode, but it’s rewarding. As Sam himself mentions the couple in Chapter 22 of the novel, “…driving through the town of Collinsport to get to The Old House, where my daughter now lived with her excessively romantic husband…” He sure is!
I’ve complained he won’t let me write scenery, but the main thing I’ve had to admit to myself is that Barnabas, on his own terms, would hardly write scenery. The scenery he is forever looking at is his loving bride, Maggie, who is Kitty and Josette and herself. There is a lot to look at in a gal like that! (Even Cousin Lily can see the affection there. 😉 )
Hopefully that’s updated everyone enough as to the state of things with me. I’m still determined and passionate, but I’m also healing from three years of shock, devastation in friendship loss, watching this science-fiction nightmare made of our lives happen unabated, and all of it being defended by masses of people who can’t bear to blame themselves for being misguided.
Now I get to editing, my letters, corresponding with new friends, and racing to the door when my sweetheart comes home. Then I look at my wine bottle and, after three years, I am finally able to say, “I don’t need that tonight. I’ll finish it tomorrow.”
P.S. If some of you out there, as several pen pals have expressed, mainly know Dark Shadows from the 2012 film of it and therefore believe I must automatically “hate” you? No. I don’t. It just got trendy to hate that film like a whole lot else got trendy to hate.
Hate became a disease online as it garnered attention. It’s a junior-high and high-school condition, and can also happen with spoiled louts in college. Whatever occurs to cause that; it’s a phase and a fad. I love the 2012 film, actually. I love a lot things that get a lot of hate. I always have, so I don’t worry about it. ❤