The download numbers continue to rise to the point it makes me almost batty with so much silence in response… Then among various people on social networks there is this idea that I have become many fans baby-sitter. Why? Basic online fandom bickering. If someone was blazoning my name in terms of being some amazing DS creator or something in response to someone else? That would be grounds for me to start baby-sitting fans. They’re not, though. They’re just making trouble for each other that has nothing to do with me or my work. My work is too scary to discuss minus maybe 4 people these days. Meh…
Personal counsel I like though, as well as need. In fact, I can’t figure out how all y’all reading these blogs and listening to the podcast aren’t starving for talk. I’d be starving for it, and have been… Things on a one-to-one basis, discussion about the characters involved here. Got some great help yesterday from a Munsters fan about Lily, Grandpa and if they can see themselves in mirrors…
That would be a yes, folks! Thank ye, sir!
So Lily’s mention of a mirror has had to be altered but only slightly. The witticism in conversation still remains.
Now for the basics… this is pretty much a note to myself sometimes. I am trying so hard to keep it down to 6,000 words for the audio timing but it’s really tough.
The scenes are:
1) Milligan & Hecubus’ intro and opener.
2) Dr. Hoffman, Professor Stokes and… Dr. “Hawkeye Pierce”. (Which bleeds into a scene involving Tom Jennings and Caleb Collins.)
3) Vampire Angelique finally reaches The Old House to confront Barnabas and… “Crap, there are a lot of people here! This isn’t working out so well. Who is this new butler, again? What’s up with the blond guy? Uh-oh… there’s that little girl I messed with via voodoo when she was alive… Not good… “
4) Next we have Maggie and Sam wandering in to discuss what they overheard with Barnabas and Angelique. This will need more work, too. A wonderful new help-mate reminded me of scenes with Kitty Soames in 1897. As Josette’s reincarnation she did visit Jeremiah’s grave for a heart-to-heart and explanation of having been tricked into marriage with him. Which means I have to go through those again and ask Maggie what she knows as a reincarnation of both at this point. That’s the homework involved in this production.
*5) Lily & Elizabeth pack for England… very sweet, but I’d like to find a way to get them out the door before this scene ends. Or maybe something that would keep them out of the house by Episode 17. (Happy for a suggestion here. Passports are done. Customs? Luggage tags? Tickets? We’re in 1968 as far as I can figure out at this point.)
6) Maggie Evans goes to speak to the ghost of Caleb Collins in his house. She feels he’s likely the person to come up with a solution for the most recent problem. Caleb knows Maggie well, in fact he knows a lot about what’s been going on with her and confesses to his responsibility of a few things himself, past and present.
7) Back in Dr. Hoffman’s office a certain Professor Stokes has his own confessions to make, if a little impatiently. 😉
8) Barnabas is sitting near the fire contemplating the current woes with Vampire Angelique. All seems lost, until a small and grizzled voice begins speaking to him from parts unknown.
And here is my trouble. One more scene, a cliffhanger scene should fit in there to finalize Episode 16. I can type it up but that would be coming in sharply back to 7,000 words at this point. *sigh* Maybe I can’t escape that.
Again, the listening comes in. When I go over the drafts I see words characters wouldn’t say and have to alter that, whether it’s form of expression or mention of something. Then one last step before total alteration:
I have not done a demo for The Pit of Ultimate Dark Shadows with my husband since Autumn of 2013. But I realize now it’s a key component in building episodes. The listening of the read shows anything good or anything that needs to be changed. Does it sound like everyone? Was there something in the text I didn’t notice because I was reading silently rather than listening? That’s where the tandem of text and audio brings a truer form. Many people listen to audio books now because their mind will wander when reading text. (For others it’s the opposite, hence I make both available.)
Still, I have no idea when this work will be publicly available. People seem to want it but they’re tongue tied about it. Looks like many are mentally capable enough to download an episode, hook it up to an mp3 player, listen and then? I don’t know… I’ve rarely ever known what happens. I don’t get told. I get like-clicked, I get random “friend requests” on Facebook (I feel that site has wounded the word friend.) I get hundreds of numbers a week even though I haven’t released a radio drama episode in six months… and?
I am told I should be happy.
I’m entertaining gobs of people and I’m hearing virtually nothing about that.
I’m getting hated and harassed.
I’ve managed to garner neglect from people who enjoy my work.
I receive memes and share files as well as notifications in like-clicks that have no commentary to report.
Invitations for group pages flood me with distractions galore and makes simply using networks to really talk to people a nuisance. I’m trying to create something substantial here and even the people who love it make it even harder to create, however easy I’ve made that communication and let myself be available. Why is all of this supposed to make me a happy person? Why?
Why do people become suicidal?
Because very often they feel battered, unloved, and uncared for.
Because, theoretically, it’s only after one is dead that their ghost will finally hear how people felt.
Telling people what you like about them, what you enjoy about their company, the details of good things? That is, for some cursed reason, only something people do after someone dies. Look at what comes from celebrity deaths: That’s when the words spring out. For some reason death becomes the purpose in which the living finally speak.
With that knowledge? Who wouldn’t want to die?
Just to find out, after ages of wondering, what you truly meant to someone…